So this rose and butterfly piece has that old-school flash art quality where everythings thick outlined and the detail comes from inner line work rather than solid fills. The rose sits in the middle, drawn from the front so you see all the layers of petals wrapping around a tight spiral centre. Bold satin outline on every petal edge, lighter vein lines curling inward from the rim toward the centre. The stem runs straight with 4 pointed leaves, 2 each side, all outlined with a mid-rib line dividing em.
Two monarch-style butterflies flank the composition. Small one perches at the top of the stem above the rose, wings slightly folded in a resting position. Bigger one sits below and to the right, wings open flat with the characteristic monarch cell pattern drawn in fine inner lines inside each wing panel. Both butterflies use the same bold outline weight as the rose so the whole piece reads as one cohesive linework composition, like something youd find in a vintage botanical illustration or a tattoo flash sheet. Its digitised in industry software which is why the outline weights are consistent across every element.
Five sizes from 3.5 by 2.39 up to 7.5 by 5.13. Narrower in height than width so it suits jacket backs, bag fronts and across shirt hems. Up to around 16,600 stitches on the biggest size which is moderate, the designs all line art so density stays efficient. A customer put the large on the back of a black denim jacket last year and picked white thread, said the rose came out looking hand-drawn. Cant ask for better than that really.
Its best on denim, canvas or heavy cotton twill where the bold outlines sit firm. Thats where the design really shines. White, cream or light grey thread reads clean on dark fabric, and thats the combination I'd go to first. Black thread on white or natural linen is the classic botanical look. Skip lightweight voile or muslin, the thick satin outlines need fabric body to anchor properly.
Hoop with a firm cutaway stabiliser. Use a sharp 75/11 or 80/12 needle for woven fabric to keep outline lines crisp without fabric push-down. Try the large on denim without topping, but add a layer of water-soluble topping if the weave is at textured so the inner vein lines land cleanly.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Denim jacket back or chest pocket designStitch the large on the back of a black or indigo denim jacket using white or gold thread for a bold wearable art look
- Canvas tote with a botanical or vintage art themeAdd the medium to a natural canvas tote for a gift for someone who collects vintage botanical prints or loves nature illustration
- Black cotton tee shirt front or sleeve cuffPut the 4-inch on the front left chest of a plain black tee or on the cuff of a long-sleeve shirt for a subtle statement piece
- Embroidered patch on felt or iron-on backingStitch on thick felt and back with heat-bond adhesive to create an iron-on or sew-on patch for hats, bags or jackets
- Jeans back pocket or knee panel personalisationUse the small version on the back pocket of light-wash jeans or embroider directly onto the knee panel of a denim skirt
- Linen clutch bag front with a vintage-style aestheticCentre on a black linen envelope clutch for a evening out, the bold outline stitching reads well against dark fabric
- Framed line art wall piece in a bedroom or hallwayMount the medium in a round or square embroidery hoop and hang it as a single-colour botanical art piece in a bedroom
- Birthday or anniversary gift stitched onto a fabric card insertStitch the small version on a stiff cotton card blank and gift it tucked inside an envelope as a handmade birthday keepsake
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 2.39 in | 8,019 |
| 4.50 × 3.08 in | 10,093 |
| 5.50 × 3.76 in | 12,214 |
| 6.50 × 4.44 in | 14,365 |
| 7.50 × 5.13 in | 16,607 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










