This fairy design shows her sitting right on top of a huge open rose bloom, the kind that takes up nearly the whole lower half of the design. Her dress is a deep red that flows into the petals so she looks like she grew out of the flower. She's holding a rose stem up to her side with a little bud on it, and her wings are spread out behind her, those translucent dragonfly-style ones with the vein detail running through them in warm gold.
Her hair is a short red-auburn curl, she has the eyes-closed peaceful expression, and the whole face has this soft romantic finish that comes from the fine satin stitching in the skin tones. Peach and cream blend on her arms and face, the rose petals shade from deep crimson at the base through coral to a warm pale edge. Its got alot of colour complexity but it reads soft because all the tones are warm together. 9 sizes from 3.5 at top 7.5 wide, stitch count goes from about 30k to nearly 70k at the top end.
I digitised this one with satin column wings and fine directional stitching on each petal layer so the shading actually looks like shading rather than flat colour blocks. A customer ordered the 6-inch version last christmas for a fairy-themed birthday cushion for her daughter and told me the wing veins stitched out so clean she had to look twice. That kind of detail takes patience at the hoop but its worth it.
Stitch on cream, white or pale ivory fabric and the warm colour palette really sings. Skip anything dark or bright, this design is all about warmth and softness so a cold or heavily saturated ground doesnt suit it at all. The 5-inch size is my favourite for cushion covers and the 7.5-inch on a white linen panel looks genuinely stunning in a girls room or fairy garden shop display. Cutaway stabiliser is non-negotiable given the density, dont skip it. Hoop firmly and use a lightweight mesh topping on any textured fabric so the satin face stitching wont sink into the weave. The wing vein sections are satin columns at around 1mm width so slow your machine down for those rows and check bobbin tension before you start.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Girls birthday party tees and hoodiesRun the 5-inch piece on a cream tee for a girls fairy birthday party, pair it with a name underneath in running stitch.
- Fairy garden shop display cushionsUse the 7.5-inch on a white linen panel for a fairy garden shop window display or feature wall.
- Nursery wall hoop framed artHoop the 4-inch in a 6-inch wooden frame for nursery wall art above a cot in a girls room.
- Flower girl dress sash embroideryEmbroider the small 3-in on a flower girl dress sash in cream satin, the warm tones match ivory bridal fabric.
- Fairy-themed baby shower giftsRun the 5-inch piece on a white muslin cushion cover as a fairy-themed baby shower gift for a new mum.
- White linen panel wall artRun the 7.5-inch on a white linen panel and frame it as a statement piece for a girls bedroom wall.
- Fantasy costume accessory patchesEmbroider a smaller size on felt and finish as a patch for a fairy costume cape or bag.
- Personalised fairy pillow for a daughterPersonalise a cream cushion with the fairy and the childs name alongside it for a special birthday gift.
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 2.91 in | 30,707 |
| 4.00 × 3.33 in | 35,273 |
| 4.50 × 3.74 in | 39,671 |
| 5.00 × 4.16 in | 44,305 |
| 5.50 × 4.57 in | 48,983 |
| 6.00 × 4.99 in | 54,097 |
| 6.50 × 5.41 in | 59,272 |
| 7.00 × 5.82 in | 64,452 |
| 7.50 × 6.24 in | 69,847 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
