Played with a sun-meets-wave composition for a while before this version clicked. The sun sits roughly centred, its a solid amber oval with teardrop rays fanning all the way around in a halo. Each ray tapers from a yellow-green base to a deep orange tip, two colour stops per ray, so theres real warmth and movement even before the wave enters. Below the sun, a crashing blue wave curls across the bottom third of the design. Three stacked arc fills in mid blue and deep navy, with small water droplets flicking off the right end of the curl. Its 4 colours total, clean and punchy.
Six sizes from 1.96 by 2.01 inches at 5,799 stitches up to 6.83 by 7.01 inches at 31,031. Density is 648 stitches per square inch, solid coverage without being overly stiff. The wave arcs use a horizontal satin fill so the stitches run parallel to the water direction and you get that layered ocean look rather than a lumpy blob. Digitised in professional digitising software with the colour stops ordered so the navy base arc stitches first, then the mid blue over the top, so the curl sits forward visually without any underlay fights. Apply medium cutaway behind at the large sizes, especially if youre going on a stretchy fabric like a beach bag canvas or a swim towel.
Summer last year a customer sent photos of this stitched across the back of a beach coverup she made herself. The 5-inch sat right between the shoulder blades and those warm golds against the navy read beautifully on white cotton gauze. Shes sold 6 of them at a local market since and kept coming back for more files. Its a good sign when people are selling items with your designs on them. Stitch it on anything thats going to the beach, the pool, or a summer festival.
White, natural linen, pale blue, and sand-tone fabrics all complement the amber and navy without muddying either colour. Skip dark backgrounds unless youre going for a high contrast nautical look and youre using thick thread coverage on the sun body. Use a 75/11 sharp needle for most summer-weight cottons and a light cutaway backing even on lighter fabrics so the wave doesnt distort on the bias.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Beach coverup back panel for a summer market sellerCentre the 5-inch on the back of a white cotton gauze coverup and the amber and navy reads like a proper resort brand label
- Swim bag or mesh tote for pool daysStitch the medium chest on a canvas drawstring bag for carrying pool toys, goggles, and swim gear to the local lido
- Kids surf t-shirt chest print alternativePut the small size on the chest of a kids cotton tee in place of a screen-printed design so the texture of the stitching stands out in photos
- Linen sun hat brim or crown embroideryStitch the 2-inch version on the brim of a straw sun hat or on the crown panel for a branded summer accessories look
- Coastal cushion cover for a holiday homeCentre the 6-inch on a natural linen cushion for a coastal holiday rental and it reads as intentional decor rather than a craft project
- Terry cloth beach towel corner badgeStitch the medium size in the corner of a white terry cloth beach towel and the satin rays hold up well even after multiple washes
- Woven-label alternative for handmade summer apparelRun the 2-inch version across the inside label area of handmade summer garments as a maker stamp alternative
Dimensions
6 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 1.96 × 2.01 in | 5,799 |
| 2.93 × 3.01 in | 9,395 |
| 3.90 × 4.00 in | 13,936 |
| 4.88 × 5.00 in | 18,864 |
| 5.86 × 6.01 in | 24,608 |
| 6.83 × 7.01 in | 31,031 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










