The shape reads butterfly at first. Then you clock the faces. Each wing is a snarling tiger head staring straight out, two of them mirrored left and right with the narrow body strip running down the centre like a spine. Mouths are open, canines showing, ears pinned back. its the type of design where a mate across the room sees a butterfly and then walks closer and goes wait a second.
Orange satin covers the main wing face areas and the body band. Black stripes run across each wing in the same pattern youd expect on a real tiger coat, thick at the brow, tapering toward the edges. White satin fills the cheek patches and the inner brow ridge above each eye so the contrast reads at small sizes too. Amber-gold eyes sit tight above the nose pad. The outer wing fringe is black with a jagged, claw-raked silhouette rather than the smooth scalloped edge on a regular butterfly shape, which is what sells the wild animal read from a distance.
Only 4 colours, which is lean for how much is happening visually. Stitch count runs from around 21k at the small end up to sixty thousand on the large, so factor in time for the bigger sizes. Density is 1081 stitches per square inch. Use a medium-to-heavy cutaway stabiliser and slow your machine speed on the dense cheek and brow fills. Five sizes, squarish proportions, widest is 7.45 inches across so it sits well on a jacket back. A customer last winter stitched the large on a black varsity back and said the orange-on-black stopped traffic. Dont underestimate the density on the big size either, keep the pace down and swap in a fresh needle before you start. Drop the shop a note if the black fringe pulls or the orange lifts on the underside and Ill fix the underlay.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Back panel of a biker or varsity jacketCentre the large size on the back of a black biker jacket or varsity and the orange-on-black reads like a proper patch from three metres away
- Large tote bags for street-art fansStitch on a plain black canvas tote and the dual tiger-face read makes it the bag people ask about
- Hoodie chest print replacement in threadUse the medium as a chest placement on a plain hoodie where a screen print would normally go, thread gives it a texture the print cant match
- Bedroom wall hoop art displayMount the large in a 10-inch round hoop, frame it, and hang it as wall art in a teen bedroom or studio space
- Festival gear bag statement patchEmbroider on a heavy canvas festival bag and the aggressive jagged wing edge reads from across a crowded stall
- Mens backpack front pocket embroideryStitch the small on the front pocket panel of a mens backpack for a detail that isnt obvious until you look twice
- Wildlife-themed wall hanging projectUse the largest size as a centrepiece in a wildlife-themed wall hanging stretched on a wooden frame
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.47 × 3.49 in | 21,298 |
| 4.47 × 4.50 in | 29,667 |
| 5.46 × 5.50 in | 39,333 |
| 6.45 × 6.50 in | 49,559 |
| 7.45 × 7.50 in | 60,381 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










