
Worked up this sunflower as a standalone face-on bloom, no stem or leaf, just the full flower head filling the hoop. The petals come in 3 colour tiers, a pale buttery yellow on the outer ring, an amber-orange layer underneath, and a darker orange accent running through some petals to give them depth. The centre is done in a near-black brown with a Dark Red seed cluster on top, and the whole thing reads as realy rich and saturated even before you put it on fabric.
my professional tool took the petal sequencing and density sits at 954, which is on the heavier end so this one wants a good cutaway stabiliser underneath. The largest size hits 53,018 stitches at 7.51 inches wide, so youre looking at a long run time on dense fabrics. Hoop the stabiliser alone first, float the fabric on top if its knit, and run a tack-down pass before starting. That keeps everything from shifting during the outer petal rows.
5 colour stops, 4 changes, and the directional satin on each petal runs from centre outward so theyre not all going the same way. That small thing makes alot of difference on a finished piece, the light catches each petal individually instead of the whole flower looking flat. Last autumn I had a bunch of customers ordering this one for harvest-themed gift sets, the amber and dark red colours line up well with that season without needing any thread swaps. One customer asked me about it for a linen table runner and I told her to use the mid 4.5 build spaced across the length rather than one big bloom in the centre.
Pick the largest 7.51-inch version for a denim jacket back, stitch the mid-size on a canvas tote front, or run the small lil 3.51-inch on a kitchen towel for a seasonal set. Add a topping sheet on any looped or textured ground and you wont have issues with the petal detail sinking.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Canvas tote bag front panel, centred or offsetThe circular shape fits naturally on a tote front, and the amber thread pops on natural canvas without extra colour work.
- Autumn kitchen towels and tea towels in flour sack cottonThe dark red and amber palette reads as late summer or autumn on flour-sack cotton, no thread swaps needed.
- Denim jacket back panel for a bold statementThe 7.51-inch version fills a jacket back nicely and the dense satin petals hold up well on denim with heavy cutaway underneath.
- Embroidery hoop wall art on natural linenHooped on natural linen in a 10-inch frame the face-on layout looks intentional and clean, not crowded.
- Cotton apron bib, large size for full coverageA cotton duck apron can handle the density at 954 and the bloom size covers the bib panel without losing detail.
- Quilted table runner centre motifTwo or three of the smaller sizes spaced along a table runner gives a repeating botanical look for autumn table settings.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.51 × 3.46 in | 21,430 |
| 4.51 × 4.44 in | 28,652 |
| 5.51 × 5.43 in | 36,007 |
| 6.51 × 6.41 in | 44,230 |
| 7.51 × 7.40 in | 53,018 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.









