
Three flowers in a loose hand-tied bunch, the kind you see in vintage botanical prints from the 1800s. At the top theres a fully open peony with layered petals that go from deep rose in the centre out to a softer blush pink at the tips. Lower left is a large open daisy-type bloom with a deep burgundy-red centre and all those narrow petals radiating out. Tucked to the right is a plump ranunculus bud, still closed, in a creamy yellow that turns slightly golden at the outer petals. The stems and leaves are dark forest green with very fine etching-style lines running through them and thats honestly what gives the whole thing the old botanical engraving feel.
11 colours, 10 thread changes, the pinks alone take 6 of those colour slots since the petal shading needs several tonal steps to look right. Density measures 1,000 in each square inch and its got real weight when stitched. At 7.5 inches its a proper piece for the front of a tote or centre of a cushion. At 3.5 inches it still reads well as a breast pocket detail or corner patch and wont look cramped. I've stitched the large version on cream linen this spring and it comes out looking like a print you'd buy from a botanical market stall. Customers are always surprised by how much texture the layered petal tones give it in person.
Stitch this on off-white or natural linen, heavy cotton twill, canvas, or denim. The light sage and dark forest greens blend into darker fabrics so stick to pale or neutral backgrounds unless you plan around that. Use a tearaway on woven fabrics, cutaway on anything with stretch. Reach out if the file gives you any trouble, I sort issues same day.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Linen and canvas tote bagsCentred on a natural linen tote it produces the kind of bag that looks like it came from a high-end gift shop.
- Botanical-theme cushion coversOn a cream or off-white cushion cover the layered pinks give enough colour for a bedroom feature without being loud.
- Framed hoop art wall piecesStretched on a 10 inch wooden hoop with natural linen it frames beautifully as a botanical wall art piece.
- Wedding table runner fabricRepeated at intervals on wide cotton twill fabric it creates a handmade table runner for a spring dinner setting.
- Linen napkin cornersAt the smaller sizes stitched in one corner of a linen napkin it adds botanical detail to a simple table setting.
- Florist shop branded merchandiseFlorists and gift shops use this for branded cotton bags and tissue wraps that match their store aesthetic.
- Jacket breast pocket patchesAt 3.5 inches it fits neatly on a shirt breast pocket and the fine foliage detail reads clearly at that scale.
- Spring home refresh curtain tiebacksStitched onto fabric ribbon or twill tape it makes a textured tieback for sheer curtain panels.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 3.18 in | 20,765 |
| 4.50 × 4.09 in | 27,501 |
| 5.50 × 5.00 in | 34,551 |
| 6.50 × 5.91 in | 42,549 |
| 7.50 × 6.82 in | 51,257 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.









