Vintage pickup truck, the boxy round-fendered american kind that you always see on christmas cards, loaded up with three pine trees standing tall in the bed. The truck body is a dense crimson red with a crosshatch directional fill that gives it that textured hand-illustrated feel rather than a flat satin block. Teal cyan runs along the bumper strip and the running board edge underneath the doors, which is really what separates this from every generic red truck design out there. The contrast between the warm red and that cool teal cyan is what catches the eye.
Back in the truck bed the trees are layered in two greens, dark forest for the inner fill and bright kelly for the outer branch edges, and small white dot snow floaties sit scattered in the space around them. Each tree is a different height so they read as a little loaded haul rather than three identical shapes. Theres a soft cyan wash on the ground shadow underneath the wheels and a hint of tan on the wooden bed slats, just enough grain to read as timber without overcomplicating the colour sequence.
Seven colours total and the density is set at 1,440 stitches per inch at the full 4.16-inch size, so this design needs proper hooping. A customer last christmas used the 3 in baseline on a canvas tote and said she hooped with light cutaway underneath, it came out sharp on the edges and the teal accent really popped against the natural fabric. Use cutaway stabiliser on anything thats going to get handling, portrait orientation like this one needs support. Dont try running it on jersey without cutaway, the underlay wont sit flat at this density.
9 sizes spanning 3.51 inch through 7.51 wide, with heights from 4.50 up to 7.50 inches. Best on cream, white, navy or charcoal cotton where the red and cyan read clearly. The trees go almost invisible on green fabric so avoid that. Run it on a dark navy and the cab trim nearly glows against the background.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- christmas sweatshirt or hoodie chestCentre the 4.16-inch version on a cream or charcoal sweatshirt chest for a classic americana holiday look
- holiday canvas tote or shopperHoop the medium size on a heavyweight cotton tote with cutaway stabiliser for a christmas bag people keep after the holiday
- festive throw pillow coverStitch the tall version centred on a cream or red throw pillow cover for a farmhouse christmas cushion
- christmas tea towel setRun the 2.50-inch size on white cotton tea towels for a matching set of holiday kitchen linens
- holiday gift bag panelHoop the chest-size 3.5 on the front panel of a brown paper gift bag lined with cotton interfacing for a reusable gift wrap
- kids christmas pyjama topPut the small size on a kids flannel pyjama top pocket and pair with plain matching bottoms for christmas morning
- christmas ornament or hoop artFrame the 4.16-inch size in a 5x7 hoop on linen for a retro christmas wall piece that works in any room
Dimensions
4 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.50 × 4.50 in | 25,576 |
| 3.03 × 5.50 in | 31,681 |
| 3.58 × 6.50 in | 38,135 |
| 4.16 × 7.50 in | 44,937 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










