Two toadstools, the classic red-cap white-spot amanita kind, sit side by side inside an oval wheat laurel wreath. The taller one is on the left, the shorter one on the right, and its an intentional size difference, stops it looking like a mirror stamp rather than two actual mushrooms. Both caps are red satin with clusters of white polka dot spots scattered across them. The stalks are flat off-white with a slight vertical fill texture. Green leaf sprigs fan out from the base like theyre growing up from grass.
The outer wreath frame is two curved wheat branch arms meeting at top and bottom. Each arm carries individual grain heads in warm gold, and between the wheat youve got small yellow daisy flowers and tiny golden teardrop drops scattering outward. Only 4 colours total, which sounds too low until you see how much shade range comes from the directional stitch changes. The gold wheat and the yellow daisies share one colour thread but they run at different stitch angles so each one catches light differently off the surface.
Five sizes go from 3.51 by 3.43 inches up to 7.51 by 7.35 inches, nearly square at every size. 35,900 stitches on the large and density is 650 stitches per square inch, fairly dense but it stitches steady if tensions set right. I put the chest 6-in on a beige cotton cushion cover this past October and left it out on a bench seat through November. It held colour and the cap edges stayed clean after two machine washes. A customer bought the same size last year for a set of cotton napkins she gifts at Christmas, said the red caps look almost handstitched at that scale, which is exactly what high density does when its done right.
Use cream linen, natural cotton canvas or warm oatmeal fabric. The red and gold palette is warm enough to carry itself without a loud base colour. Avoid dark backgrounds entirely, the golden wheat arms wont read against navy or black and the design loses all its detail. Hoop firmly and centre your hoop carefully with a near-square frame or one side of the wreath clips out. Choose mid-weight cutaway. Dm me if a colour shade pulls or fades on wash and Ill swap a thread shade.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Autumn or woodland themed cushion coversCentre the large version on a cream or oatmeal linen cushion cover and put it out from September through November as an autumnal living room accent
- Cottagecore tote bags for farmers marketsPair a mid 5-in on the front panel of a natural canvas tote for a cottagecore farmers market bag that looks handmade without being amateur
- Mushroom-themed kitchen apron bib panelPlace the 5-inch chest on the chest bib of a natural canvas apron worn at a kitchen or pottery studio where the woodland theme fits the aesthetic
- Nursery wall hoop art for a woodland themeStitch on a square of cream cotton and frame in an 8-inch wooden embroidery hoop for a nursery wall display that works in any gender-neutral woodland room
- Seasonal table centrepiece on linen napkinsEmbroider the small version in the corner of a linen napkin set and fold them into a gift box for an autumn dinner party host
- Journal cover embroidery on fabric-bound notebooksIron fusible backing onto the stitched piece and mount it onto the front cover of a fabric-bound journal or sketchbook as a personalised gift
- Autumn birthday gift pouch embroideryPair a mid 5-in on a drawstring muslin pouch, fill with small gifts or bath treats and use as an autumn birthday present wrap
- Botanical wall hanging on natural canvasStretch a piece of natural linen in a large oval frame, stitch the design centred on it and lean it against a shelf as a botanical accent
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.51 × 3.43 in | 16,113 |
| 4.51 × 4.41 in | 20,555 |
| 5.51 × 5.39 in | 25,281 |
| 6.51 × 6.37 in | 30,457 |
| 7.51 × 7.35 in | 35,900 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
