Theres something about wildflowers that look intentionally messy in exactly the right way. This cluster has coral-pink open blooms at the top, a softer salmon flower sitting below, a small golden-yellow one off to the side, and then a bunch of tight reddish-pink buds that havent opened yet. The dark forest green stems and narrow leaves run underneath the whole arrangement holding it together. Six colours in total, 5 colour changes.
Sizes go from 3.50 by 2.63 inches at 10,781 stitches to 7.50 by 5.63 inches at 23,529 stitches. my standard software used directional satin columns on the petals so the thread catches light differently depending on how the fabric moves. Use a mid-weight cutaway stabiliser on most cotton and linen. Avoid thin muslin at the large sizes because the coral fill sections are dense enough to drag the weave. Hoop snug and let the machine complete each colour stop before adjusting tension.
I made this one for the cottage and farmhouse aesthetic crowd because I get alot of requests for something that reads botanical but isnt too formal. Its not a perfect symmetrical wreath, its more like you picked these on a walk and laid them down. Earlier this year a buyer stitched the 5-in across one pair of linen napkins for a dinner party and sent her snap, it looked like the table runner was handpainted. Email me through the contact form if the density jams the hoop and ill thin it.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- linen tote bag or canvas shopping bagStitch the 7-inch chest on a beige linen tote and the coral and salmon palette works especially well against natural undyed fabric
- cottage-core denim jacket back panelEmbroider the 5-inch placement on the back panel of a denim jacket for a cottage-core look that doesnt look mass produced
- farmhouse kitchen apron chest pocketPop the 4 inch face on a linen apron bib and the wildflower palette matches most farmhouse kitchen colour schemes easily
- spring table runner or linen napkinsRun the medium size on linen napkins or a table runner centre panel for a spring dinner table that feels a bit special
- botanical nursery wall hoop artHoop the largest size on a cream muslin backing and frame it in a round hoop for a nursery botanical wall arrangement
- bridesmaid tote or wedding favour bagUse the 5-inch placement on matching canvas totes for bridesmaids and the coral tones suit blush wedding palettes really well
- summer dress or skirt hem accentAdd the 3-in baseline size along the hem of a white cotton summer skirt using topping film to keep the petals crisp
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 2.63 in | 10,781 |
| 4.00 × 3.00 in | 12,144 |
| 4.50 × 3.38 in | 13,619 |
| 5.00 × 3.76 in | 15,192 |
| 5.50 × 4.13 in | 16,857 |
| 6.00 × 4.51 in | 18,373 |
| 6.50 × 4.88 in | 20,054 |
| 7.00 × 5.26 in | 21,771 |
| 7.50 × 5.63 in | 23,529 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
