A woman in my town ordered this last spring to stitch onto cream linen for her daughter's birthday and she sent me a photo the day she finished it, the amber satin rays catching the light just right against the pale fabric and thats honestly why I keep digitising these. The design is a half-sun at the top, chunky satin rays fanning outward in warm amber and pale gold, the arc itself a lighter honey tone so it reads like a sunrise. Below that YOU ARE MY sits in bold rounded block caps with a sage-to-forest green ombre fill, the letters edged in a darker green outline that keeps them crisp on busy backgrounds. Then Sunshine sweeps underneath in thick black brush-script cursive, those wide loops and long tail swashes giving it real movement. Its clean without being cold. The ombre on the block caps is subtle, goes from lighter sage in the centre to deeper forest at the edges, and with the right thread you get real depth without it looking busy. Density sits at 334 which means it lays flat on linen and cotton without puckering. I put directional satin on the amber parts so they catch light the way real satin does, and a proper underlay under those letters to stop the green fill from sinking into terry or fleece. If you want to stitch this on jersey use cutaway stabiliser, tearaway wont hold under that brush-script at the larger sizes. The 4-inch version fits nicely on a onesie bib tab, and the big 7.51 x 5.06 inch on a canvas tote front sits just right below the handles. Hoop it on white, ivory or pale grey cotton and the green and amber reads strong without needing any thread swaps. Pop it centred on a linen tea towel with the sun at the top and you get something that looks properly considered. When you hoop the jersey version back it with cutaway under the whole piece not just under the text. Cut the jump stitches between the rays before pulling off the hoop so you dont drag those warm rays out of place.
Reach out if the metallic thread frays on you.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Baby onesie bib tabRuns clean at 4 inches on a white cotton onesie tab, the sun and text stack without crowding the snap area.
- Linen pillowcase centreSits beautifully centred on cream linen at 7.51 inches wide, the ombre green reading warm against pale fabric.
- Canvas tote bag frontPlace the 5-inch on a canvas tote front below the handles, leaves breathing room and reads from across the room.
- Child's sweatshirt chestStitch the 5-inch version onto a forest green sweatshirt chest with cutaway stabiliser under the knit for sharp edges.
- Fleece baby blanket squareTakes the 3.51-inch well on a white fleece square for a newborn gift, the bold caps hold their shape in the soft pile.
- Linen tea towelIron tearaway under a linen tea towel at 5 inches, the firm weave holds the satin rays completely flat.
- Denim jacket back yokeWorks at 7.51 inches across a denim jacket back yoke with medium cutaway, the black script pops on indigo.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.51 × 2.37 in | 6,052 |
| 4.51 × 3.04 in | 7,644 |
| 5.51 × 3.72 in | 9,299 |
| 6.51 × 4.39 in | 10,987 |
| 7.51 × 5.06 in | 12,700 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
