Black cat, cartoon-flat body, peering over the top of an enormous terracotta orange yarn ball with these wide circular white eyes that take up half its face. Its barely visible past the ball really. Two little black paws grip either side of it, the tail loops out to the bottom right in a loose curl, and a thin strand of yarn trails off to the bottom left. Thats the whole composition and honestly its charming in that very simple way that just works on anything. The yarn ball is the real technical showpiece here. Black outline lines divide it into sections and the satin fill inside each section runs in tight directional stripes at different angles, so it reads like an actual wound ball of yarn from across a room. I was suprised by how much texture that technique gives when its stitched out on a smooth cotton canvas.
Stitch count runs to about 44,685 on the biggest size, so the largest hooping is genuinely dense, around 1,175 density, mostly concentrated in the orange fill area. Cutaway stabiliser is the right call here, not tear-away. That much satin on the ball section needs a solid base underneath or it pulls and warps on you. Use a layer of water-soluble topping on any fabric with a pile or loose weave too, or those directional lines blur. Hoop the fabric tight and keep your tension even on the bobbin or the underlay shows through on the lighter salmon highlights.
Denim and canvas handle the density without any drama, which is why knitters mostly put this on their project bags and totes. Last week a lady who crochets for craft fairs ordered three colour variations on canvas pouches and sent me photos, came out brilliant. Try the 4 inch on a charcoal jersey or navy twill shirt and the orange pops against dark fabric in exactly the way you want. Skip fleece for the big sizes, the loop texture fights those satin stripes and you lose the wound-yarn effect. On a linen tea towel or cotton apron pocket the smaller 3.5 inch sits cleaner, those flatter weaves keep the directional fill crisp right to the edges. Center the design a centimetre higher than you think you need to, the tail curl at the bottom adds visual weight that pulls the eye down.
Message me a photo if the bobbin thread shows on top.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Canvas tote bagTote bags take the 6 inch version nicely, the yarn ball fills a front pocket panel without crowding the edges.
- Knitting project bagProject bags are basically the natural home for this one. Knitters absolutely love it on cotton canvas.
- Zippered pouchCharcoal or navy linen zipper pouches pair well here, the terracotta orange really stands out against dark fabric.
- Kids cotton t-shirtKids cotton chest pockets suit the 3.5 inch nicely, done in under an hour on most machines.
- Pet-themed apronApron chest pockets are great for the 4 inch size, enough detail to read clearly without fighting the fabric folds.
- Denim jacket chestOn a denim jacket chest panel the black cat disappears into the fabric while that terracotta ball pops right out.
- Throw pillow coverCream cotton throw pillow cover works well with the largest size, that black-and-terracotta contrast reads from right across the room.
- Linen tea towelSmaller 3.5 inch works on a flat linen tea towel, the directional fill stays crisp on tight flat weaves.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 2.37 in | 15,063 |
| 4.50 × 3.04 in | 20,896 |
| 5.50 × 3.72 in | 27,999 |
| 6.50 × 4.40 in | 35,889 |
| 7.50 × 5.07 in | 44,685 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
Reviews
No reviews yet for this design. Be the first to share your make once you have stitched it. Tag us on Instagram and we will feature your work.
Browse by category
Pick a theme, find the perfect design for your next project
About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










