
At 153 stitches per inch the density on this one is deliberately low, and thats not a mistake. Three sparkler sticks gather at the base into a red ribbon bow, with three starburst fireworks radiating outward in alternating crimson and cobalt satin run lines above them. Scattered outlined stars dot the space around the bursts. No fill at all, everything stays open. The fabric underneath becomes part of the look, which is the whole point of choosing that density.
I digitised this with cutaway in mind for jersey and stretchy knits, but it shines brightest on tight-woven bases where the stitching sits clean without a topping. Linen, canvas, cotton twill, even denim if youre going for a casual chest placement. The underlay is minimal since theres so little thread mass. Hoop your stabiliser firm and youll get crisp satin lines across the bow that actually look hand-drawn rather than machine-stamped.
Last July a teacher put this design on a white canvas pouch for her school craft table and it sold out that afternoon. She used navy thread instead of the standard cobalt and the whole thing shifted to a more vintage feel. It suprised me when she sent the photo, honestly. Try swapping both colours to a single navy and it reads like an heirloom piece rather than a holiday novelty.
Stitch it centred on a cocktail linen napkin for a table that looks actually planned. Pop the smallest size onto a kids cotton tee chest pocket, no topping needed on tight weave at 2.94 inches wide. Use a tearaway on the denim jacket chest if you want clean removal after hooping, the satin lines on the bow wont distort on stable fabric. Skip dark backgrounds unless you plan to pull white bobbin thread, the open linework disappears on navy or black base fabric.
The 6.29-inch version at 7,198 stitches works well as a feature piece on a large canvas tote or a linen table runner. Pair it with a simple star motif on the opposite end for a full set. Centre it on a flour sack kitchen towel and let the weave show through the gaps between the burst lines, because at this density it absolutely does. If you mirror the design and hoop both ends of a runner together, keep the bow centres level so the pair reads as deliberate.
Drop me a message if you need it mirrored for a bag flap.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Linen cocktail napkinNeeds a cutaway on stretchy jersey tees but tearaway works great on crisp linen napkins that stay flat after washing.
- Canvas market toteA craft-fair seller put this on her canvas tote last summer and recieved so many compliments she reordered twice.
- Kitchen flour sack towelThe 153 density lets the towel weave show through between the burst lines, which honestly looks intentional and great.
- Denim jacket chest pocketHoop the chest area with tearaway and the satin lines on the bow come out crisp even on stiff denim.
- Quilted table runnerRun two or three repeats down a 14-inch wide linen runner for a table centrepiece that feels genuinely handmade.
- White cotton apronCentre it at the bib of a white cotton apron and that red bow reads from across the room.
- Kids July 4th shirtThe 2.94-inch size fits a kids shirt pocket area without crowding, no stabiliser on tight cotton needed.
- Picnic blanket corner patchCorner-place the large 6.29-inch size on a picnic blanket using a stabiliser sandwich under the fleece backing.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.94 × 3.50 in | 4,275 |
| 3.78 × 4.50 in | 5,104 |
| 4.62 × 5.50 in | 5,807 |
| 5.46 × 6.50 in | 6,459 |
| 6.29 × 7.50 in | 7,198 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.









