
A simple ceramic vase silhouette, rounded bottom, narrow waist, wide neck, filled with a loose arrangement of pink cherry blossom branches. The branches are bare brown stems with small oval leaves and the blossoms are that soft pale pink with a slightly deeper centre, the kind of spring flower that reads as Japanese in style without being a literal copy of traditional motifs. The vase itself is a clean cream or off-white tatami fill with a faint shadow on the left side. Its understated, quite elegant, and that simplicity is exactly what people seem to like about it.
The density is lighter than my more complex floral designs, which means it suits lighter fabrics and stitches up fast. On linen or quilting cotton with a lightweight tearaway stabiliser underneath, the whole thing comes off the hoop clean and flat. Use a cutaway on jersey or anything stretchy, the vase outline is clean and satin-stitched and it will distort without proper anchoring on knit fabric. Hoop it centred and level, the symmetry of the vase silhouette makes any tilt obvious at a glance.
A buyer last spring stitched the 4 inch version on a cream linen pouch for a gift set and said it was the quietest design on her table but the one people kept picking up. That kind of response tells you something. Stitch it on ivory or cream fabric and the pink blossom reads against the pale background in a really clean way. On darker backgrounds like sage or charcoal the blossoms pop more dramatically which is also lovely. Try the 3 inch on a fabric gift tag or a bookmark panel. Skip topping on smooth woven fabrics, it isnt needed for a design with this kind of density.
Message me if the blossom detail blurs at the smaller sizes.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Linen table runnerHonestly my favourite spot for this one, the 5.89 inch reads like a painting on natural linen.
- Cushion cover centrepieceNeeds a cutaway on stretchy velvet covers but the satin vase outline stays crisp on woven cotton.
- Cotton tote front panelA canvas tote front works brilliantly for this, the cobalt blue pops against the natural weave every time.
- Tea towel kitchen giftStitch the 4 inch onto flour-sack cotton and you've got a gift that looks way more expensive than it is.
- Floral wall hoop artPop it in a 7 inch hoop on cream cotton and hang it straight off the frame, no extra finishing.
- Denim jacket back panelUse a firm tearaway topping on denim so the blossoms dont sink into the weave texture.
- Baby nursery pillowThe blush pink and yellow centres look really sweet against a white cotton pillow for a new baby's room.
- Canvas zip pouchHoop up a canvas zip pouch front and at 2.75 inches this sits neatly with room to spare.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.75 × 3.50 in | 15,084 |
| 3.53 × 4.50 in | 19,949 |
| 4.32 × 5.50 in | 25,307 |
| 5.10 × 6.50 in | 31,395 |
| 5.89 × 7.50 in | 38,122 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.









