
A woman who makes woodland-themed nursery gifts sent me a note last month saying shed stitched this onto six linen zippered pouches for a craft fair and sold out in under two hours. That kind of thing makes my week, honestly. Its a fox head shown in profile, facing left, built almost entirely in bold satin runs of burnt orange and navy blue. The body doesnt show. Instead the lower half of the composition opens into large open folk flowers and swirling Baroque scroll shapes, half in orange and half in navy, on a white ground. Very graphic. Very flat. No gradient shading at all, which actually makes the stitching read clearly even at the smaller sizes.
The style is somewhere between Scandinavian folk art and a bold tattoo flash sheet. I digitised it with proper directional satin on the fox face and tatami fill behind the ears, with a clean underlay holding the navy detail work so it doesnt sink into the fabric. At the smallest width the stitch count sits around 8,345 and the design stays tight and readable on linen or cotton canvas. The largest size builds up to 22,786 stitches at a density of 627, which is the one I'd put on a tote or a denim jacket back panel. And at that size those scrollwork flourishes and flowers fill the space properly, nothing gets cramped.
Cut a piece of cutaway stabiliser for anything stretchy like jersey or fleece. Cotton canvas and twill dont need anything heavy, a medium tearaway works fine and makes for a cleaner finish on the back. Hoop the fabric snug because theres alot of satin in that face area and any shift mid-stitch shows up fast. Center the design slightly higher than you think you need to on pouches, because the scroll base is visually lighter and the eye reads that bottom section as shorter than it really is. Skip the topping film on smooth fabric but pop a layer of water-soluble topping over any terry or fluffy fleece so the navy outline stays crisp.
Pair it with a rust-coloured thread bobbin if you want the back to look intentional, and some buyers have told me they frame the hoop as-is with the back showing, which I love. Stitch the 4.87-inch version on natural-coloured linen for the cleanest colour contrast. That burnt orange sitting against the navy really relies on a pale ground fabric to do its job, so dont pick anything with a warm cream or yellow tint or the orange starts to disappear into it.
Send me a note if you need a smaller version for caps.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Linen zippered pouchRuns clean across a zipped pouch front at the 2.27-inch width, fits without crowding the zip.
- Canvas tote bagHonestly my favourite spot for this one is a natural canvas tote, the navy and orange pop against cream perfectly.
- Denim jacket back panelUse the 4.87-inch size centred on a denim jacket back, its bold enough to hold the space on its own.
- Nursery wall hoop artFrame the 3-inch size in a round hoop and hang it in a woodland nursery, looks like proper wall art.
- Throw pillow coverCentre it on a linen pillow cover at the 4-inch size, the folk-art scroll base fills the front panel really nicely.
- Kids backpack patchIron-on tearaway at the 2.27-inch size makes a solid patch for a kids canvas backpack, holds through washing.
- Woodland-theme baby giftStitch two or three different sizes on separate linen pieces, bundle them as a gift set for a woodland-themed baby shower.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.27 × 3.48 in | 8,345 |
| 2.92 × 4.50 in | 11,583 |
| 3.57 × 5.50 in | 14,883 |
| 4.22 × 6.50 in | 18,551 |
| 4.87 × 7.46 in | 22,786 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.









