Vintage Lace-Up Boots Embroidery Design, Machine Embroidery Pattern, Instant Download

Vintage Lace-Up Boots Embroidery Design, Machine Embroidery Pattern, Instant Download

Regular price $4.99
Regular price $7.99 Sale price $4.99
Sale Sold out
Wilcom Pro Multi-size Color chart
Secure checkout
Instant download
Visa Mastercard American Express Apple Pay Google Pay shop

How to Download

Soon as your payment goes through you get an email with the download link. Files also stay in your account so you can grab them again later. Full download guide.

Terms of Use

Designs may be stitched on items you make for personal use or to sell. The digital file itself stays mine and cant be redistributed. Read full license terms.

Refund Policy

Digital downloads cant be refunded once the file is downloaded. If somethings actually broken with the file I'll fix it though, just message me. Read full refund policy.

Share this design
View full details

At 53,838 stitches on the largest size, this one genuinely tested my digitising tools - the lace crossings alone took careful underlay sequencing to stop the black satin threads from sinking into the butter yellow tatami underneath. Its a front-facing pair, boots touching at the toes in that classic symmetrical pose you see on 90s fashion posters, and the charcoal satin outline is thick and confident, maybe 4mm wide at the shaft. The pale yellow fill runs in a diagonal directional pattern that mimics real twill weave, so on actual denim or canvas twill the whole thing looks like its part of the fabric. Very graphic, almost like a vintage concert tee print but stitched instead of printed.

Needs a cutaway on stretchy tees but worth it - the density sits at 994 and the tatami fill really locks in on cotton or canvas without any puckering. had a teenager run this on a charcoal denim jacket back panel last week using the 7.21 inch version, and it looked genuinely wild - that satin outline just pops against dark indigo. Hoop tight and use a topping on any textured fleece or terry cloth or those eyelet dots blur and you lose the lace detail completely. Pick a slightly warm butter yellow thread rather than pure cream - pure cream goes flat under fluorescent light and the whole vintage feel disappears.

Pair with a dark charcoal or deep navy bobbin thread so the back doesnt ghost through on lighter fabrics. The 3.37 inch version sits neatly on a canvas tote or twill cap without cramping the criss-cross lace pattern. Stitch a test swatch first on terry or fleece - the jump stitches between lace eyelets need trimming close or they show on low-pile fabrics.

Drop me a line if your machine trips on the small text.

What people are using this design for

A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.

  • Denim jacket back panelNeeds a cutaway stabiliser on denim back panels - the charcoal satin outline stays razor sharp at 7 inches.
  • Canvas tote bagCanvas takes the tatami fill without topping, centre it below the handles for a clean vintage look.
  • Twill baseball cap patchThe 3.37-inch option fits a twill cap front without overwhelming the eyelet detail.
  • Cotton sweatshirt chestHoop sweatshirt fleece with cutaway and wash-away topping to keep those lace lines from sinking.
  • Linen tote or shopperLinen gives the butter yellow fill a warm, aged tone that really suits the retro vibe here.
  • Craft fair patch badgeIron-on backing after stitching makes a sturdy patch that holds up well through craft fair handling.
  • Jeans pocket or leg panelRun it vertically on a jean leg seam and the charcoal outline reads clean against the indigo.

Dimensions

5 sizes included. Stitch counts shown for the largest colorway.

Size (in) Stitches
3.37 × 3.51 in 20,538
4.33 × 4.51 in 27,736
5.29 × 5.51 in 35,545
6.25 × 6.51 in 44,280
7.21 × 7.51 in 53,838

Files & Formats

Eight machine formats included in one zip. Whichever your machine reads, its in the pack.

CND
DST
EXP
HUS
JEF
PES
VP3
XXX

Plus a color chart for thread matching. See full format guide.

Reviews

No reviews yet for this design. Be the first to share your make once you have stitched it. Tag us on Instagram and we will feature your work.

Reyazul Masud Riham, the digitizer behind Re Embroidery
Behind every stitch

About the artist

Reyazul Masud Riham, hand-drawing every design on this site

Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.

That's the joy I work for.

The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.

Read the full story

1Hand-digitizer
7,000+Original designs
3-4Days per design
100%Hand-digitized