Its a proper bow, not a cartoon bow. The loops are full and rounded, and the satin fill inside each loop is directional, meaning the thread angle shifts as it follows the curve of the ribbon so it looks smooth from the outside rather than flat. There is centre knot where the two loops meet, tight and compact, and then two tails drop down from it symmetrically, each one ending in a clean diagonal cut. A sage green highlight thread runs along the upper edge of each loop, just one or two columns wide, which stops the cream from looking flat under light. On ivory napkin fabric it reads as restrained and considered.
3 colours: cream fills the main body of the bow first, all the loops and tails in one long pass, then the sage green accent comes in along the loop tops, then a slightly deeper cream for the shadow side of the centre knot. Last year a customer who does personalised wedding linen told me she uses this bow in the corner of ivory dinner napkins and people aswell order it specifically because its not too fussy but it still looks formal. Thats exactly right, this design sits between fashion-forward style and practical use.
Hoop ivory or cream fabric with a light tearaway stabiliser. The satin density here is 744 across the 9 sizes, which is moderate, so tearaway is fine unless youre stitching on very lightweight organza or chiffon where cutaway would give better support. Use a 75/11 needle for the main cream satin fills and dont rush the loop edge passes because the highlight line is only 2 columns wide and you want it sitting right on the fold edge visually. Bobbin thread should match the cream closely so any thread pull-through on the satin columns doesnt show on the face.
9 sizes from 3.41 x 3.50 inches to 7.30 x 7.50 inches. Stitch counts between 14,034 and 40,740. Wilcom set up the underlay so the cream satin doesnt sink into woven fabric textures. Best on smooth cotton, linen or broadcloth. Skip textured jacquard or waffle weave because the satin surface detail gets lost. Message me if the file isnt right and Ill fix it fast.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Wedding ivory dinner napkin corner motifStitch the 4-inch version in the corner of ivory cotton dinner napkins for a wedding reception table, the restrained palette photographs well.
- Personalised linen gift wrap accentUse the small 3.5 piece on a small linen drawstring pouch as a personalised gift wrap accent for bridal shower favour bags.
- Bridal table runner edge embroideryEmbroider the 7-inch along the edge of a cream linen table runner for a bridal table centrepiece with a clean formal look.
- Baby shower keepsake bib bow detailPop the small 3.41-inch on white cotton bibs as a bow detail for a baby shower keepsake gift set.
- Christening gown collar bow accentUse the small 3.5 piece on the collar band of a christening gown in matching ivory thread for a subtle occasion detail.
- Gift box ribbon topper hoop artHoop the 5-inch on cream cotton and frame as minimal bow hoop art for a nursery or dressing room wall.
- Formal occasion place card holder pouchStitch the 4-in run on small ivory linen pouches as formal place card holder bags for a wedding or engagement party table.
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 3.41 in | 14,034 |
| 4.00 × 3.89 in | 16,743 |
| 4.50 × 4.38 in | 19,657 |
| 5.00 × 4.87 in | 22,716 |
| 5.50 × 5.36 in | 25,890 |
| 6.00 × 5.84 in | 29,415 |
| 6.50 × 6.33 in | 33,005 |
| 7.00 × 6.82 in | 36,837 |
| 7.50 × 7.30 in | 40,740 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










