The sun is the boss here. Golden amber with those classic sharp satin-stitch rays fanning out in every direction, and behind it a dark teal crescent moon curves up and around, a thick tapering band stitched in directional satin, hollow through the middle so the white of the fabric shows where the full circle would be. Thats the bit that makes it work, that negative space inside the crescent gives the whole thing air. Below it theres a bank of silver-grey clouds rolling across the bottom, puffed and layered, with teal scroll outlines curling through the insides of each puff, three little spirals nestled in there. Bold. Graphic. Four colours total but it reads as one clean celestial composition from across a room.
I stitched it at the 5 inch on a canvas tote first and the density at that size is around 11,000 stitches, solidly medium, not too heavy for the weave. The satin rays came out clean with a cutaway stabiliser underneath and a lightweight topping on top to stop the canvas fibres snagging the needle. A woman I know from a local craft market last autumn ordered it hooped on cotton twill pouches at the 4 inch and said she sold out before midday. Thats the kind of appeal this one has.
Pair it with charcoal or navy fabric and the teal crescent just goes off. Avoid busy prints, the cloud swirl detail needs a plain background or you cant see the scroll outlines properly. Denim takes the 7 inch version beautifully if you want a back-panel statement piece on a jacket or vest.
Hoop your stabiliser drum-tight before you start, centre the design so the cloud layer sits at the lower third. Use an 80/12 needle on denim or canvas. Cut any jump stitches between the crescent band and the sun body before moving to the cloud section, its worth the extra minute so bobbin thread dosent shadow through the silver grey fill.
Message me a photo if the download gives you grief.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Canvas tote bagTote bags take the 6 inch nicely, the teal reads really strong against natural canvas.
- Denim jacket back panelA denim jacket back panel at the full 7.51 inch is the statement version, needs an 80/12 needle.
- Celestial-themed cushion coverCushion covers in linen or cotton drill give the silver grey clouds proper breathing room.
- Kids fleece hoodieKids fleece hoodies suit the 3.51 inch pocket spot, use cutaway under the stretch.
- Cotton twill pouchCotton twill pouches with the 4 inch are fast to batch-hoop and make solid craft-fair sellers.
- Linen wall hoopLinen wall hoops at 5 or 6 inches suit the colour palette, cream linen sets the teal right off.
- Nursery decor hoop artNursery decor works with the smallest size on white cotton, soft and not too visually busy.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.51 × 2.31 in | 6,021 |
| 4.51 × 2.97 in | 8,323 |
| 5.50 × 3.63 in | 10,932 |
| 6.51 × 4.29 in | 13,807 |
| 7.51 × 4.95 in | 17,063 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










