Pulled together the companion piece to the resting fawn, this one has the deer standing up with a proper set of antlers. Its a young deer, soft small face with closed eyes, four slim legs planted in a little patch of wild grass, and then the antlers branch up above its head with 4 or 5 tines that fill the top of the design space. To its right side theres a large open flower, similar loose petal style as in the companion design, and a few grass sprigs scattered low at its hooves.
Same fine outline treatment, no fill at all, everything is in the line work. The antlers are the most intricate part and thats what sets this apart from the seated fawn version. The branch lines are thin and spaced with a gap between each tine so the antler silhouette reads clearly even at the smaller sizes. Single colour, one thread run, no stops mid-design.
Density is very low at 67 stitches per unit, which is intentional. Its meant to feel like a pencil illustration, not a dense sewn patch. The proportions sit about 3.5 to 6.5 inches wide and 6.2 to 7.2 inches tall depending on size, so this one is actually taller in real terms and the antlers need that vertical room. Last month a customer told me she used both deer designs together as alternating squares in a woodland nursery crib quilt and the pair look like they belong in the same illustrated story. Stitch count starts at 2,079 on the smallest and tops out at 3,149 on the largest.
Use a lightweight tearaway stabiliser on quilting cotton, muslin, linen, or denim. For knit baby fabric add a water-soluble topping layer over the top so the fine outline stitches dont disappear into the fabric loops. Pick a thread that matches the mood, soft grey gives a vintage botanical print feel, dark navy gives a cleaner modern nursery look, and black reads most like a traditional illustration. Skip stretchy jersey without proper topping or the antler lines will gap.
Hoop absolutely flat with no fabric tension variation or the fine run stitches in the antler tines will wobble. One colour, no stops, so it runs through without interruption once you start. Text me through the contact form if a file format isnt in your download and ill get it across to you straight away.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Woodland nursery wall hoops above a cot or changing tableFrame the 5-inch version in a natural wood hoop with oatmeal linen for a woodland nursery above the change table
- Baby shower gifts stitched on linen pouches or muslin wrapsStitch on a cotton muslin wrap or swaddle square and gift it in a basket with other handmade baby items
- Quilting squares for handmade baby blankets and crib quiltsA customer used both the resting fawn and this standing version as alternating quilt squares in a 12-block baby blanket
- Gender-neutral newborn onesies and sleepsuitsWorks on a gender-neutral grey or white cotton onesie with water-soluble topping to protect the fine antler lines
- Cushion covers for toddler rooms with a nature themeHoop a soft ivory cushion cover in the 6-inch size for a toddler reading nook with a forest-theme setup
- Framed hoop art gifts for nature-loving new parentsFrame the largest version in a square hoop with a cream or sage mat and give it as a new parent gift at the shower
- Personalised tote bags for baby class or daycareStitch on a small canvas tote in the 4-inch size for a daycare bag that stands out from the plain fabric crowd
Dimensions
4 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 88.8 × 157.1 mm | 2,079 |
| 114.3 × 166.0 mm | 2,451 |
| 139.6 × 175.0 mm | 2,806 |
| 165.0 × 184.0 mm | 3,149 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










