Its a meadow scene done as a border, the kind that runs along the hem of a dress or across the top of a tote without taking over the whole piece. Stems come up at different heights so it never looks like a flat row, some flowers are tall and nodding, others short and clustered at the base. Theres daisies with open petals and dark centres, cosmos with wide simple heads, echinacea with the spiky cone showing, alliums with their round ball heads on long straight stems, lavender spikes, and what looks like a wild pansy or two tucked in near the bottom edge.
Above the flower tops, butterflies and dragonflies float loose in the space, not posed symmetrically, just scattered like they actually landed mid-flight. The butterfly wings have enough outline detail to read clearly even on the smaller sizes. One of the butterflies near the right side is a monarch-style shape, wings spread wide, and it anchors that side of the composition.
Single thread colour is a big part of the appeal. Everyhting in black reads as clean hand-drawn botanical illustration rather than a coloured pattern. Swap the black for a dark navy, forest green, or burgundy and the whole mood shifts without changing anything else. A customer who sells at a farmers market wrote me last spring asking whether this would work on narrow linen pouches, and honestly the 6-inch size fits right across the end of a standard flour-sack towel with room to breathe on both sides.
Run on a woven ground with no stretch. Use a tear-away stabiliser on firm cotton and the outline stitching will sit flat and clean from start to finish. Dont hoop knits or anything with surface pile, the running-stitch sections between petals need the fabric locked still or youll get gaps. Stitch on white, natural, or any light solid fabric and the single black thread does all the work.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Flour-sack towels and kitchen linensThe 6-wide border fits neatly across the end of a standard flour-sack towel and the line art style suits kitchen linen perfectly
- Hem borders on linen dresses or skirtsRun along the hem of a linen dress or skirt and the scattered-height stems give it a natural rather than uniform border feel
- Cotton tote bag front panelsWorks great across the front of a natural canvas tote, especially with a dark thread on a light fabric
- Quilt border strips and sashingUse as a repeating strip in a quilt border, the top-to-bottom height variation keeps each strip looking different even when the design repeats
- Pillow covers with a botanical themeCentre it on a pillow cover and leave space above for a name or initial as a second embroidery pass
- Tote bags for farmers markets or garden centresPerfect for any project where someone wants a garden feel without committing to a big centrepiece design
- Fabric gift wrap or project bagsStitch in dark green or navy instead of black and it reads more vintage botanical journal than modern line art
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.84 × 6.01 in | 12,635 |
| 4.48 × 7.01 in | 14,131 |
| 5.12 × 8.01 in | 15,556 |
| 5.76 × 9.01 in | 17,001 |
| 6.40 × 10.01 in | 18,464 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










