
A big wild meadow cluster with these gorgeous golden flowers at the top, long flat petals fanning out from a warm orange-tinted centre, like tansy or chamomile if ya squint a bit. Then scattered through the lower half theres these round pink pompom-type flowers, kinda like clover heads or scabiosa buds, all in a soft bubblegum pink. Stems and leaves fill in around everything in forest and sage green, overlapping and leaning the way real meadow plants do. Five colours, densely digitised, and at 62k stitches on 7-in jumbo.5-inch size this is the heaviest design in the floral range.
I been digitising botanical designs for a few years and meadow compositions are genuinely harder than single-flower designs because the layers have to sit right on top of each other without becoming a mess of thread. The underlay work here is what keeps it clean. Each stem has its own satin column, each flower head builds up in proper sequence so the thread density balances out. Theres 9 sizes and the smallest is just over 1k stitches, which is a fairly bare-bones outline version. The 5-inch and above is where the detail really starts to fill in properly.
My niece asked me to stitch this on a cream linen curtain panel for her new flat last autumn and the finished piece looked like a hand-painted botanical panel. That sort of application is exactly what this one was built for. Large-format fabric art, cushion covers, tote bags for people who want that English-meadow feel.
Use cutaway stabiliser on anything stretchy or medium-weight. For stable linen or cotton canvas a firm tearaway holds fine. Slow your machine on the flower centres where density builds up. Hoop extra firm because the tall arrangement needs the fabric locked tight underneath. Add a water-soluble topping on terry cloth so the stitches sit on the surface. Ping me if the file causes trouble with your software and Ill get an adjusted version to you same day.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Cream linen cushion covers for living roomsCream linen cushion at 7.5 inches that looks like a botanical print when framed in the room, very different to novelty florals.
- Botanical wall art in large wooden hoopsLarge 8-inch natural wood frame at 6 inches for a garden room or kitchen wall, the layered meadow height fills the hoop well.
- Canvas tote bags for summer marketsSage canvas tote for a summer garden market, the golden daisy tops and bubblegum pink pompoms carry from across a stall.
- Cotton aprons for kitchen or garden useLinen apron below the bib pocket at 5 inches, the tall cluster sits naturally in the lower bib area without crowding.
- Curtain panel and fabric decor embroideryCurtain panel fabric before making up the panel for a cottage bedroom, the meadow height works as a running border motif.
- Book bags for botanical or nature loversNatural canvas book bag for a botanical journal or art student, the layered stem arrangement reads as a proper study piece.
- Wedding table linen and napkin bordersCotton napkins in a set at smaller sizes for a garden-party table, the meadow theme suits outdoor entertaining well.
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.51 × 2.96ches in | 30,609 |
| 4.01 × 3.39ches in | 34,775 |
| 4.51 × 3.81ches in | 38,303 |
| 5.01 × 4.23ches in | 42,428 |
| 5.51 × 4.65ches in | 46,372 |
| 6.01 × 5.08ches in | 50,384 |
| 6.51 × 5.50ches in | 54,210 |
| 7.01 × 5.92ches in | 58,798 |
| 7.51 × 6.34ches in | 62,741 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.









