Two fat red cherries hang off a looped ribbon bow and this is one of those builds where every colour has its own job. Deep cherry red fills the fruit, bright green runs up the twin stems and through the small leaves at the top, and cream ribbon forms the bow underneath. White highlight dots sit on each cherry to give em that juicy glazed look. Honestly its more charming than it sounds until you see it stitched out on a light fabric.
Six colours total, 5 sizes ranging from 3.5 inches wide 7.5 max range. Stitch count climbs from about 12k on the smallest up to nearly 36k on the largest size. Alot of that density goes into the satin column work on the bow loops and the smooth tatami fill on the cherry bodies. my main software digitised this one so the density is balanced and the colour transitions sit clean without bleed.
Best placement is a chest pocket position on a white linen shirt or a cream canvas tote. And theres a small sweet spot between 4 and 5 inches where the highlight dots read perfectly without looking too heavy. I get messages from people doing cottagecore and kawaii apparel all the time about cherry designs. Last summer a customer ordered the 5-inch version for a whole run of linen market bags and said they sold out by midday.
Pop it on a youth hoodie pocket or a hair scrunchie cover if you do accessories work. Use a lightweight cutaway stabiliser under the bow ribbon sections so the satin loops dont drag or pucker. Skip sheer or stretchy fabrics on the bigger sizes because the density of the cherry fills will pull the jersey out of shape at the hooping stage.
Hoop your stabiliser snug, centre the design with no skew, and let the machine run through the underlay passes before the fill colours land. Six colour stops so your machine will pause at each change. If youre using a 6-needle machine this one practically runs itself. The cherry red and cream together are the kind of colour combo that just sells itself on a table.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Chest pocket embroidery on linen shirts and blousesStitch at 4 to 5 inches on a white linen shirt chest pocket for a fresh fruit-market look that works year round
- Canvas tote bags for farmers markets and gift shopsWorks beautifully on a natural cotton bag and the six colours pop against the undyed weave without needing any background fill
- Cottagecore and kawaii youth hoodiesPut the 3.5 build on a youth hoodie pocket and the kawaii highlight dots give it a boutique feel
- Hair accessories and scrunchie coversEmbroider on a satin scrunchie cover or hair band blank and the cream bow in the design ties the whole piece together
- Baby bibs and toddler apronsSmaller sizes sit centred on a baby bib and the flat fruit style reads fun rather than fussy
- Kitchen towels and cafe-style half apronsOne customer last spring put the 5-in centre on white cotton half aprons for a market stall and sold out before lunch
- Greeting card gift wrapping patches on kraft paper bagsWorks on natural kraft-coloured fabric patches as gift toppers because the cherry red and green contrast without needing a white ground
- Small cosmetic pouches and pencil casesStitch on a small zip pouch at 3.5 inches and the design fills the front panel without crowding the zipper pull
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 2.99 in | 12,256 |
| 4.50 × 3.85 in | 17,081 |
| 5.50 × 4.70 in | 22,549 |
| 6.50 × 5.56 in | 28,752 |
| 7.50 × 6.41 in | 35,687 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










