Heres the color splash butterfly and its loud in the best way. A clean black line-art butterfly outline, wings stretched wide, sits over a messy watercolour splatter cloud in magenta, yellow, teal, purple and a dash of red. The wings have alot of fine vein work drawn in black so the bug stays graphic while the paint behind it does the shouting. 9 sizes from a 3.3 inch chest hit up to a full 7 inch quilt panel.
The splatter behind isnt mapped to the butterflys body, it sits as a separate cloud with drips and stray dots flicked outwards like someone shook a brush at the canvas. Last spring I drew this one for a customer running a paint-and-sip studio merch line, she wanted something that read as a brush-shop logo and a wearable graphic at the same time, and the loose splatter does that nicely.
Stitch on plain white, cream, oatmeal cotton or pale grey for max contrast. Black outline carries beautifully against light fabrics, and the magenta and yellow really sing on natural canvas totes. Skip busy patterned fabric, the splatter wants a calm background to read as splatter and not visual mush. Black tees also work if you swap the outline thread for white.
Densest sections are the outer splatter blobs and the wing-vein satin columns, so use a heavy cutaway stabiliser on knits and a tearaway plus topping on woven cotton. The directional stitching on the splash shapes wants to run smooth, slow your machine to about 650 spm on the wing fills and youll skip thread breaks. On stretchy jersey add a mesh wash-away on top to keep the fine veins crisp.
I sell this one mostly to art teachers and craft-fair vendors. A customer messaged me last month with a photo stitched on the back of a 16 inch denim jacket and the splatter looked properly hand-painted, exactly the bug-on-a-mural feel I wanted. Pop the small 4-in across the chest pocket, run the 7 inch on a tote panel, and itll carry the whole bag on its own.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Tote bags and canvas grocery totesOn a plain natural tote the splatter colours read like real paint, way more loud than expected.
- Hoodie backs and denim jacket panelsStitches up clean on the back of a black hoodie, the magenta and teal really pop on dark.
- Quilt block centerpieceCentre block of a 12 inch quilt square, surrounded by solid colour blocks for contrast.
- Tea towels and kitchen linensSkip this one on textured waffle weave, the splatter wants smooth fabric to read right.
- Throw pillows for the living roomOn a 16 inch cushion in cream linen the butterfly sits dead centre and balances the splatter.
- Bold print on plain tshirtsSingle chest placement on a white tee, no other artwork needed, the design carries itself.
- Vendor tote panels for art and craft fairsGreat for a craft fair sample panel, draws people from across the aisle every time.
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.33 × 3.51 in | 16,813 |
| 3.80 × 4.01 in | 19,326 |
| 4.27 × 4.51 in | 21,844 |
| 4.74 × 5.01 in | 24,624 |
| 5.22 × 5.51 in | 27,264 |
| 5.69 × 6.01 in | 30,186 |
| 6.16 × 6.51 in | 33,126 |
| 6.64 × 7.01 in | 36,227 |
| 7.11 × 7.51 in | 39,306 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
