Eleven colours packed into a circle and none of them are quiet about it. This is the otomi style, flat folk-art shapes arranged so tight there is barely gap between them. Hot pink flowers bump up against orange ones. Turquoise and cobalt blue petals press in next to lime green leaves. Two butterflies sit near the top, wings spread flat in that graphic way that makes folk art instantly recognisable.
The shapes are chunky and deliberate. Petals are wide and rounded, daisy forms mostly, plus a few star-shaped and layered blooms scattered through the arrangement. Leaves fill the gaps between flowers in deep green, bright green couple of shades. Nothing realistic here, its all pattern and colour, the way otomi embroidery has always worked. Im pretty sure this is one of those designs you either love immediately or its not your thing, theres no in-between.
A customer hooped the 7-inch on a cream linen tablecloth for a market stall display and people kept stopping to ask where the tablecloth was from. The scale at seven inches is genuinely impressive in person, the colour density reads more like a painting than a stitch job. I tested it on a white canvas tote last month and that was honestly just as strong a result.
Stick to solid light backgrounds so the colours hit properly. White, cream, natural linen, pale sand. Skip anything dark or patterned, the colours are loud enough already and they dont need competition. Use canvas bags, tablecloths, cushion covers, linen jackets for your projects. Use a medium cutaway minimum because there are eleven colour stops and the circle perimeter is fully loaded with stitches.
Stitch count goes from about 35k at 5 inches to 51k at seven. Dense but manageable with a decent cutaway and slow first pass. Message me if any colour registration looks off on the test run.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Boho and folk-art home cushion coversStitch centered on a cream or natural linen cushion cover and it fills the front panel with saturated folk-art colour
- Tote bags and market bags for colourful everyday useWorks perfectly on the front of a plain white canvas tote and turns a basic bag into a statement piece
- Tablecloths and linen napkins for festive tablesEmbroider on a linen tablecloth corner or napkin set for a festive table display or market stall
- Mexican and latin-themed event decorGreat for Day of the Dead, Cinco de Mayo or any latin folk-art themed event table or gift wrapping
- Wall hoop art and textile framesHoop in a 8-inch frame with linen backing for a colourful textile wall piece in a boho or eclectic interior
- Festival and market stall clothing and accessoriesStitch on the back of a linen shirt or denim jacket for a bold festival or artisan-market look
- Colourful canvas backpacks and pouchesEmbroider on the front flap of a canvas backpack or zip pouch for a bright folk-art everyday carry
Dimensions
3 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 5.06 × 5.01 in | 35,527 |
| 6.07 × 6.01 in | 43,007 |
| 7.08 × 7.01 in | 51,014 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










