
A pastor's wife from Tennessee messaged me last month after she finished stitching this onto a set of linen tea towels for her sunday school classroom. She said the kids kept stopping to re-read it like a puzzle before it clicked, and thats kinda exactly why I love this design. The wifi signal sits right in the centre of the piece, three arched satin bars tapering down to a small filled circle, all in a warm golden amber with dark charcoal outlines that give it that real stitched weight. "Connect to God" curves over the top in arched block caps, tight-spaced, and below the symbol you get "The Password Is" in bold upright lettering, then "Prayer" swoops in underneath in a big flowing script with a shadow underlay that makes it pop off the fabric.
I been making religious embroidery for a while now and this one gets a different kind of response than the straight scripture quotes do. Its the wifi angle that does it. People get it immediately or they do a double-take, and either way they smile. The satin fill on the signal arcs runs directional, which means the golden amber colour catches light differently depending on how youre holding the fabric. Theres five sizes in the file, with stitch counts running from just under 10,000 up to about 22,000 for the biggest version, so it fits most common hoop sizes without much fuss. The density sits at 483 and handles cotton twill and canvas really well without pulling.
Pop this on a black canvas tote and the gold and charcoal combination looks sharp and intentional. Hoop a denim jacket back with the largest version and it reads from across the room. On lighter fabrics like cream linen or natural cotton youll want a cutaway stabiliser underneath to keep that satin fill from distorting, especially on the curved text sections. Skip the tearaway on stretchy fabrics, the stabiliser needs to stay in to support the underlay stitching. Try a topping layer of water-soluble film if youre stitching onto fleece or terry, stops the satin from sinking into the pile.
Add a contrasting bobbin thread in a medium grey so the back stays tidy on presentation pieces. Use a 75/11 sharp needle for tightly woven canvas and the jump stitches between the lettering sections will trim clean. Centre the design carefully on a tote pocket or zipper pouch front so the arched text clears the seam allowance on both sides, about a quarter inch margin minimum on the top arc.
Flag me down if the bobbin thread shows on top.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Church tote bagRuns clean across a canvas tote front in the 4 inch, gold on black looks sharp at any church sale.
- Faith-themed kitchen towelHonestly my favourite spot for this one is a natural linen towel hanging in a church kitchen.
- Denim jacket backUse the 6 inch version on a denim jacket back, charcoal outline holds crisp against the indigo weave.
- Zipper pouch frontStitch it centred on a zipped cotton canvas pouch, the script sits just above the zipper pull nicely.
- Canvas crossbody bagA cream crossbody bag in canvas shows off the amber satin fill better than dark fabrics do.
- Religious gift pillow coverStitches up onto a cotton twill pillow cover as a faith-themed housewarming or baptism gift.
- Sunday school projectKids in sunday school classes get a kick out of the wifi joke, makes a great group project on fleece blankets.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.89 × 3.50 in | 9,892 |
| 3.72 × 4.50 in | 12,754 |
| 4.54 × 5.50 in | 15,787 |
| 5.37 × 6.50 in | 19,007 |
| 6.19 × 7.50 in | 22,413 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.









