This is a proper old-school workshop sign rendered in embroidery. At the top "Dad's" in smaller decorative caps, then "Workshop" takes up most of the visual real estate in the middle with a massive W that has long descending flourishes curling left. Below that a line in lighter condensed caps and right at the base a solid black banner ribbon with the slogan reversed out in white. The whole composition is framed by a partial circular saw blade arc sitting behind the upper text block and a fan of hand tools crossing above the centre word, a wrench and hammer crossed like a coat of arms, with nails scattered around them.
The level of stitch detail here is unusually high for a single-colour design. The Victorian letterforms have shaded fill sections where stitch direction shifts to create the illusion of light hitting raised three-dimensional letters. The scroll curlicues flanking the right side of the main word are fully digitised with smooth curves, not blocky stepped approximations. digitising tools handles that kind of curve path properly and you can see it in how clean the finished piece looks even at the 5-inch size.
Four sizes available from 5 inches wide up to 8 inches, stitch count goes 15,773 to 25,354. Thats a denser design than it looks because theres alot going on inside those letterforms. Dense satin fill needs proper stabilisation or the whole thing will pucker badly. Iron a firm woven-in tearaway to the back of a canvas tote or cotton drill before hooping, and use a lightweight water-soluble topping if the fabric has any texture so the fine reverse-letter banner at the bottom reads cleanly. Last Father's Day one customer ordered the 6-inch and told me he was putting it on a canvas tool roll as a gift. Said it looked exactly like a custom-branded workshop product, not homemade at all.
Use this on canvas tote bags, denim aprons, thick cotton drill, or the back panel of a work jacket. Skip light jersey or anything that moves under the hoop, the density wont allow for fabric stretch during stitching. Keep tensions balanced and hoop tight with zero slack. Single colour, single stop, the machine runs straight through once you start.
Dm me through the shop contact if a file format wont open in your software and ill have the right one with you within the hour.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Father's Day gifts on denim aprons or canvas work totesStitch the 7-inch on a heavy canvas apron bib for a Father's Day gift dad will actually wear
- Custom workshop or garage wall art stitched on canvasWorks across a canvas tote panel for a tool-carrying bag that looks like it came from an actual hardware brand
- Personalised tool roll or tool bag for dad's workbench kitEmbroider the 5-inch on a waxed cotton tool roll for a compact workshop gift set alongside some quality drill bits
- Back panel or chest design on a work jacket or coverallUse the 8-inch on the back of a dark denim or canvas work jacket for a retro American workshop aesthetic
- Man cave or shed decor stitched on thick cotton or hessianStitch onto thick natural cotton canvas and frame in a deep shadow box for a workshop or garage wall piece
- DIY dad birthday gifts with a retro Americana feelA customer used this on a canvas pouch as part of a Father's Day hamper with snacks and a workshop gift card
- Matching gift set with shop rags and a stitched canvas pouchPair the 6-inch on canvas shop rags and a small zip pouch for a cohesive dad gift bundle
Dimensions
4 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.59 × 5.01 in | 15,773 |
| 4.90 × 6.34 in | 20,590 |
| 5.03 × 7.01 in | 22,903 |
| 5.35 × 8.01 in | 25,354 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










