
Mocked up a wide horizontal scene for this one, seven or 8 dandelion stems spread across the frame at different heights. The left side has the fullest seed heads, big round pom shapes with all the radiating spokes intact. Moving right the heads get more open, seeds pulling away, and then the seeds stop being seeds and turn into butterflies and small birds. By the far right edge its mostly flight, little winged shapes drifting apart across the top half of the frame. The transition happens gradually so you cant quite point to where it switches.
All black, one colour, no fills anywhere. Every shape is built from line. The seed-head centres are small dense satin circles with the spokes running out from them, each spoke ending in a tiny teardrop floret. The butterflies are two-wing silhouettes in varying sizes, the smallest clustering near the seeds and the largest drifting up toward the top edge where theyve got room to spread. A few birds mixed in, just wing-curve shapes, which gives it less of a butterfly-only look and more of a full migration feel.
Three sizes: 4.84 by 6.5 inches, 5.59 by 7.5, and 6.33 by 8.5. This is a landscape format, wider than it is tall. Stitch count from seventeen thousand 097 to twenty-one thousand 823. Density at 406, which keeps the fine linework crisp without overloading the fabric. my main software handled the digitising. A customer told me she put the large size on a sheer white linen curtain panel and the whole thing looked like a nature print in afternoon light. Cant argue with that.
Best on white, cream or pale grey fabric where the black linework reads clearly. Works on cotton, linen, light canvas and even sheer voile if you float it over a dissolving stabiliser. Skip dense pile fabrics, the fine spoke lines disappear. Keep the machine speed steady for the long spoke runs so they stay even. Hoop snugly but dont overstretch, a slight warp on linen can pull the horizontal baseline off-level.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- White linen window curtain panel for a bohemian bedroomUse the large size on a sheer white linen curtain panel, the fine linework reads like a nature print when light comes through from behind
- Large linen wall art hoop as a living room focal pieceSew the 6-inch on cream linen and stretch-frame it in a 10-inch hoop for a living room wall piece that needs no frame or backing
- Cotton duvet cover border or corner accentRun the widest size along the lower border of a white cotton duvet cover for a bedroom thats going for a wildflower-meadow feel
- Boho wedding table runner in natural linenEmbroider the mid-size onto a long natural linen table runner for a boho outdoor wedding and leave the ends raw-hemmed
- Tote bag for a wildflower or nature loverPut the 5-inch on a natural cotton bag for a wildflower enthusiast or someone who keeps a nature journal and wants their bag to match the vibe
- Framed nursery art on cream cottonUse the smallest size on cream cotton and frame it as nursery wall art for a woodland or nature-themed baby room
- Yoga mat bag or gym tote for a nature-oriented customerStitch the mid-size onto a canvas yoga mat bag or gym tote for someone who does outdoor yoga or trail running
- Journal cover or fabric notebook wrapWrap a fabric journal cover in pale grey cotton and stitch the smallest size across the front for a handmade gift that looks like a proper art piece
Dimensions
3 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 4.84 × 6.50 in | 17,097 |
| 5.59 × 7.50 in | 19,429 |
| 6.33 × 8.50 in | 21,823 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.









