Solid black feather silhouette tilted at a soft angle. Upper plumage fills densely with satin column work, forming a pointed leaf shape thats heavy n rich looking. Lower quill end breaks open into delicate filigree swirls and tiny curl flourishes, kinda like a calligraphy nib doodle. Top half reads bold ink stamp, bottom half reads paper cut filigree.
my embroidery software built this in one black thread but mixed two distinct stitch types in the file. The dense plumage uses tight satin columns with directional stitching following the barb angle. Filigree scrollwork at the base runs as single line satin, almost zero fill, just spirals n curls. One colour total, zero colour changes, 8 trims across the size range. Smallest run logs 2,545 stitches on the 3 inch size and the count rises to 8,442 by the time you hit 7 inches across. Density logs around 257 which is light to medium, sits well on most cottons.
I get messages from gothic stationery shop owners and witchy aesthetic sellers about this silhouette. One customer last october picked up the 5 inch run to use on halloween linen table runners, she said the dainty quill end caught the candlelight n the heavy plumage gave the runner a real ornate weight. Top half plumage is where the density lives, those curls at the base barely cost any stitch count and they wont add real run time either.
Stitch on cream linen, charcoal cotton, oatmeal canvas, or burgundy velvet for a moody piece. Black thread reads ink stamp clean on every one of em. Try gold metallic thread if youre doing a halloween or victorian piece, the curl base sings with metallic. Skip jersey or anything stretchy, dense plumage will pucker if the cloth pulls. Mount a medium grade cutaway underneath the satin section especially, it stops the columns from rolling at the edge. Hoop tight, the contrast between filled top n airy bottom shows distortion easy and its hard to mask after the fact. Reach out if the trims between curls misbehave on your machine, ill optimise the path quick.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- gothic halloween linen table runnerStitch the 5-inch placement on cream linen halloween table runner, the filigree base catches candlelight beautifully across the run
- charcoal cotton tote bag accentPop the 4-in detail on a charcoal cotton tote, the contrast goes ornate without tipping into too costume gothic
- burgundy velvet cushion gothic decorEmbroider the 5 inch version in gold metallic on a burgundy velvet cushion for a proper victorian decor piece
- cream linen book sleeve filigree detailHoop the 3 inch run on the corner of a cream linen book sleeve, dainty quill swirls suit a journal spine
- denim jacket back panel silhouette pieceDrop the 7 inch size up the back of an indigo denim jacket as a single bold silhouette feature panel
- ornate stationery pouch zip frontRun the 4-in detail on a black cotton zip pouch for ornate stationery storage that reads moody not gimmicky
- hoop wall art for a witchy reading cornerFrame the 5 inch run in a brass colour hoop for a witchy reading corner accent piece on a low shelf
- cotton apron front centre motifCenter the 4-in detail on a charcoal cotton apron front for a gothic kitchen apron thats actually wearable
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.00 × 2.02 in | 2,545 |
| 4.00 × 2.68 in | 3,677 |
| 5.00 × 3.35 in | 5,102 |
| 6.00 × 4.03 in | 6,655 |
| 7.00 × 4.69 in | 8,442 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










