
So heres the layout. Up top you got a big buck head facing slightly left with full antlers spreading wide. The buck flows downward into a giant fishing hook silhouette that curves around the bottom half of the design. Inside the curve of the hook theres a tiny forest scene tucked in. Pine trees, a lone angler standing on the bank casting his rod into the water, a couple of ducks flying overhead, and a bass leaping out of the water near the hook tip. The whole thing is one continuous black silhouette with the inner scene done in negative space cutouts.
Single colour black thread. 4 sizes from 4.5 inches wide at 16,959 stitches up to 7.53 inches wide at 32,728 stitches. Density runs heavy at 929 because the buck head and hook body are mostly solid fill, the negative-space forest scene reduces overall stitch load but the perimeter outline is dense. I digitised this in industry software with directional satin on the antler tines so they hold their shape and proper feathered fill on the animal coat edges. Theres no escape stitching, every transition is short-stitched clean.
One customer who works a bait-and-tackle shop in colorado ordered the top 7.5 version last fall for a bunch of hat-back panels he sells alongside fishing line and lures. He told me the design held up through a year of customer wear with no thread breakage, the heavy fill basically armoured the patches. Hes ordered three more times since. The 5-inch fits a standard 6-panel trucker hat back perfectly, the 4.5-inch fits a left-chest pocket on a flannel shirt.
Stitch best on cream cotton, oatmeal linen, olive flannel, beige canvas, washed denim, or natural twill. Avoid black or dark navy cause the black thread blends right in. Pop heavy cutaway behind cotton and canvas, switch to two layers of medium cutaway for hat backs cause the curved seam needs extra stability. Youll want a 75/11 sharp needle and slow the run to 600 spm because the dense satin on the antlers needs careful registration around the tine forks. Set a topper of water-soluble film for any brushed surface like flannel cause the deer fur lines get swallowed otherwise.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- structured trucker hat back panels and cap frontsRun the 5-in on a structured 6-panel trucker hat back with two layers medium cutaway tucked behind the seam
- flannel shirt left-chest pocket embroideryPop the 4.5-inch on an olive flannel left-chest pocket and the silhouette reads bold against the brushed weave
- canvas tackle bags and fishing-tote frontsRun the largest 7.53-inch centred on a beige canvas tackle bag front with heavy tearaway stabiliser tucked behind
- outdoorsman wall art in 9-inch wooden hoopHoop the 6-inch version in a 9-inch wooden frame, hang it in a mancave or hunting-cabin entryway wall
- men's heavy cotton sweatshirts and lounge teesEmbroider the 5-inch on a cream cotton sweatshirt chest panel using stabiliser tape laid under the knit seam
- father's day gift towels and outdoor lifestyle decorDrop the 4.5-inch on a flour-sack cotton tea towel for a fathers day outdoorsman lifestyle gift towel set
- tackle-shop branded apron and merch panelsUse the 6-inch on a black-trim canvas apron front for a bait-and-tackle shop merch line or angler pop-up booth
Dimensions
4 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 4.50 × 2.79 in | 16,959 |
| 5.50 × 3.42 in | 21,635 |
| 6.50 × 4.03 in | 26,846 |
| 7.53 × 4.68 in | 32,728 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
Reviews
No reviews yet for this design. Be the first to share your make once you have stitched it. Tag us on Instagram and we will feature your work.
Browse by category
Pick a theme, find the perfect design for your next project
About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.









