This zebra head is a proper portrait. The face turns about three-quarters to the left so ya get the full muzzle length and the strong profile line from ear to nose. Four colours total: black handles the stripe pattern, white fills the ground, warm cream sits on the muzzle and around the eye, and charcoal grey fills the shadowed side of the neck. No cartoon shortcut here, the stripes actually follow the muscle contour of the jaw the way a real zebra looks in a photo, not some simplified kids version.
The density on this one runs high. At the 4.57-inch width and 7.48-inch height the stitch count hits 33,372, which means the stripe areas use proper underlay and the satin columns sit tight enough that theres no gapping even after washing. The smallest size comes in at 2.13 inches wide with thirteen thousand seven hundred stitches, impressive compression for four colour changes in that footprint. Dont let the narrow width fool ya, its still a detailed piece.
I get messages from wildlife charity shops and safari nonprofit gift stores about this one. One wildlife centre in particular ordered a bunch of tote bags for a fundraiser last spring. They wanted something that looked like it could hang in a gallery, not a lil cartoon slapped on a gift shop shelf. The portrait held up on natural canvas and the linework was crisp in monochrome at 12 inches viewing distance. The mums buying them couldnt beleive it wasnt a print.
Stitch on oatmeal canvas or natural linen for the warmest result. The cream muzzle tone disappears on pure white, so go slightly warm with your base fabric. Avoid stretch jersey on the largest size, the dense stripe coverage and 33k stitches needs a stable woven ground. Use a cutaway stabiliser underneath for anything going in a hoop frame, its what keeps the portrait from warping over the long stitch runs.
Lay tearaway under plain woven cotton for garment use where cutaway would show at the edges. The directional stitch on the mane area shifts angle twice, slow your machine slightly there or youll see pull. Drop me a line if the output looks muddy on your machine and Ill check the density settings with you.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Safari nonprofit fundraiser tote bagsStitch the large 4.57-inch size on a kraft canvas tote and use it as a fundraiser bag for a safari wildlife charity.
- Wildlife charity gift shop merchandiseEmbroider the portrait on a cream linen gift wrap pouch for a wildlife sanctuary shop and add a conservation message tag.
- Framed linen hoop for a study or officePop the largest version in a 9-inch wooden hoop with an oatmeal linen ground and hang it in a home study or reading room.
- Canvas backpack panel for wildlife enthusiastsUse the 3-inch size on a canvas backpack side panel for a wildlife-loving teenager whos into nature photography.
- Childs bedroom cushion with safari themeStitch the mid-size on a sand-coloured cotton cushion and pair it with a set of other African animal portraits for a safari room.
- Womens denim jacket wildlife patchEmbroider on the back panel of a light denim jacket and let the black and cream stripe work carry the whole look.
- Nature photography club member giftsRun a batch of the small 2.13-inch size on canvas coin purses as member gifts for a nature photography club event.
Dimensions
4 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.13 × 3.49 in | 13,733 |
| 3.04 × 4.99 in | 20,784 |
| 3.96 × 6.49 in | 28,478 |
| 4.57 × 7.48 in | 33,372 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










