I had a customer last october ask me for a horse design with real movement in it, not just a horse standing there but something that actually looks like its running. Thats what this is. The density on this design is 134, which is genuinely high, and the max stitch count at 7.5 inches is 48,472. Three colours, a dark chestnut body, a lighter highlight tone for the underbelly and leg detail, and near-black for the tail and flowing hair detail. professional digitising tools handled the digitising and the hair stitching runs long directional satin strokes angled backward to create that swept-in-wind effect. Run a tension test on a scrap piece before you start the main fabric, its alot of thread going down fast at density 134.
Because the density is so high you really need a medium to heavy cutaway stabiliser on this, dont try a tearaway. The stitch pull across the large body fill areas is substantial, and a tearaway will split before you finish the hoop on anything bigger than 5 inches. On denim or heavy canvas, use an iron-on cutaway. On lighter fabrics like twill or linen, a sew-in cutaway is the better call. Skip light tearaway on this one entirely, I made that mistake once and regretted it mid-hoop.
Nine sizes from 3.5 scaling to 7 in max. a 3-in chest size at 1,323 stitches is basically a silhouette, which actually looks really sharp on a hat front or patch. But the full design impact comes in at 6 inches and above, where the body muscle contour and flowing tail detail really opens up. Pair this with a mid-weight or heavy stable fabric, denim, canvas, or a structured cotton twill, and press from the back after stitching to flatten any distortion from the dense fill areas.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Equestrian jacket back panelEquestrian jacket back panel at the larger sizes, the swept mane and flowing tail read as genuine motion on dark denim.
- Denim tote bag statement frontCanvas stable blanket corner motif at 5 inches, iron-on cutaway holds through outdoor stable conditions and washing.
- Framed hoop art for horse loverFramed hoop art for an equestrian enthusiast, the directional body fill reads as three-dimensional muscle contour at 7 inches on linen.
- Horse riding helmet bag frontHorse riding helmet bag front panel, the galloping silhouette is recognisable immediately even at the mid-range sizes.
- Structured hat front panel designHat crown at the small size where the compact silhouette reads as a clean logo-style motif rather than a detail piece.
- Canvas stable blanket corner motifKids equestrian backpack front in canvas, the high-contrast three colours make it stand out in a school hallway.
- Kids equestrian backpack accentDenim tote statement front at the 6-inch range, the bold chestnut palette carries the full composition without any supporting elements.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.45 × 3.50 in | 17,616 |
| 4.44 × 4.50 in | 23,915 |
| 5.42 × 5.50 in | 31,326 |
| 6.40 × 6.50 in | 39,256 |
| 7.39 × 7.50 in | 48,472 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










