The wings take up most of the design space and thats the point. Four panels open out flat, two on each side, and every single one is filled with a different mix of teal green and sky blue thread laid in horizontal rows with fine black lines dividing the sections. Its not a solid fill anywhere. The stitching shifts direction panel by panel, which is what gives it that naturalist illustration look, like someone went very slowly with a technical pen and then coloured it in.
Around the outer edges of every wing section theres dense black hatching that darkens toward the border, like the ink shading you see in proper botanical prints. The body is slim and upright at the centre with thin black antennae extending up and out. Below the feet theres a bare branch section and a small leaf bud, both done in the same black cross-hatch style, so the whole thing looks like a specimen pinned to a page from a 19th-century nature journal.
And its a big design. The 10-inch version runs close to 47k stitches, so this is a project that takes real machine time. But run the 5-inch and youll still get all the cross-hatch and panel detail because the digitising software digitised this at a density that scales without losing the line work. A customer emailed me last week after running the 7-inch onto a black linen jacket and said the teal and blue pop off dark fabric surprisingly well, something to keep in mind if you want a more dramatic fabric choice.
Stitch on white or cream cotton and linen for the most faithful read of all four colours. Back woven fabric with a firm cutaway sheet before you hoop. Pull the hoop snug so the hatching stitches sit tight and the panel edges stay sharp. Skip stretchy or loosely woven material entirely because 47k stitches on jersey will pucker around the edges.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Denim and linen jacket back panelsStitch the 8 or 10 inch on a denim bomber back and the hatching reads like wearable botanical art
- Nature-themed tote bags and canvas bagsWorks on a canvas tote for anyone who leans into the nature-print aesthetic, the teal and blue carry well on tan
- Framed hoop art for botanical-style interiorsFrame in a 10 inch hoop with raw linen edge showing and it fits straight into a botanical or cottagecore interior
- Cushion covers with a natural history themeEmbroider onto a white or cream cushion cover and it looks like a nature museum print turned into home decor
- Girls bedroom wall hoops and nursery artGreat for a girls bedroom wall hoop or a garden-theme nursery, the colours are soft enough not to overpower
- Gifts for entomology and nature fansA solid gift for anyone who collects butterfly art, nature journals, or is into the botanical illustration look
- Structured tote bags for spring marketsHit spring markets with stitched canvas totes and this design draws people in because the detail is hard to ignore
Dimensions
6 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 5.01 × 4.96 in | 21,856 |
| 6.01 × 5.95 in | 26,394 |
| 7.01 × 6.94 in | 31,214 |
| 8.01 × 7.93 in | 36,244 |
| 9.01 × 8.91 in | 41,462 |
| 10.01 × 9.90 in | 46,936 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










