The horse faces left in a classic three-quarter portrait pose, chin tipped slightly up, ears forward. Its drawn in a fine pen-sketch style, the kind where thin crosshatch lines build up the shading across the jaw, the eye socket and the bridge of the nose. And the eye itself is the focal point, dark and outlined with a careful satin border that gives it real weight.
Wrapped around the neck and shoulder is the floral element and its genuinely beautiful. Three blush-cream roses sit at different stages: one tight bud at the top, one full open bloom mid-left, one half-open bloom lower right. Small five-petal blossoms fill the gaps. Pick up the green leaf sprays and youll see each one is done in a directional fill so theyre catching light at a different angle to the stem. The dark teal-green mane sweeps down through the botanical cluster and ties everything together. Five colours total but they feel like more because the fills stack up in passes across each element.
Its a dense stitch at 49k on the biggest size, so use a firm medium-weight cutaway stabiliser and hoop your fabric nice and taut. Linen, canvas, heavy cotton twill and denim all work well. The sketch detail on the horse face is where this earns its stitch count, the fine lines need a properly stabilised base or theyll wander. Smallest size is 4.49 by 4.08 inches, largest is 7.5 by 6.79, seven sizes in total.
A customer last autumn put the large size on the back panel of a canvas barn jacket and sent a photo, it looked like a proper print design not a home embroider project. Works best on plain midtones: oatmeal, dusty sage, slate grey, soft navy, warm tan. Avoid busy prints, the linework gets lost against pattern. Pale cream backgrounds are fine too if you want that gallery print look.
Holler at me if a colour sequence gets confusing and Ill point you at the right thread.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Equestrian tote bags for barn or market daysStitch the large size on a flax linen tote and use it as a barn bag for grooming supplies or a market bag for equestrian events
- Horse show ribbon display cushionsCentre the design on a heavy linen cushion displayed alongside a ribbon collection in a stable room or competition trophy shelf
- Denim jacket back panel for a boho equestrian lookPlace the large size on the back panel of a denim jacket for a boho equestrian look that pairs well with riding boots and a western hat
- Stable blanket corner personalisationEmbroider on the corner of a stable rug or turnout blanket as a personal identification mark with some actual style to it
- framed wall display for a horse lovers bedroomStitch on a 10-inch hoop of natural linen, frame it and hang it as wall art in a teenage riders bedroom or a tack room
- Canvas belt bag for riding kitPut the medium size on a canvas belt bag used to carry treats, hoof picks and a phone on a trail ride
- Linen pillow for a farm-style living roomStitch the large version centred on an oatmeal linen pillow for a living room with a farm-house or cottagecore theme
- Birthday gift for a horse-mad teenagerMake up a cushion or framed piece as a birthday gift for a horse-mad girl who has the usual horse figurines and wants something more grown-up
Dimensions
7 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 4.49 × 4.08 in | 28,775 |
| 5.01 × 4.53 in | 32,079 |
| 5.50 × 4.98 in | 35,343 |
| 6.00 × 5.43 in | 38,570 |
| 6.49 × 5.89 in | 41,957 |
| 6.99 × 6.34 in | 45,403 |
| 7.50 × 6.79 in | 49,075 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










