Two tiger eyes locked straight at you. Thats the whole deal and it works completely. The irises are a sharp yellow-green with amber rings, the pupils cut black and hard. Around the eyes the fur doesnt just frame the face, it explodes outward in layers of flame orange, deep red and charcoal black into a full burst that fills the frame ear to ear. The whites of the eyes have a cool grey sheen where the fur pulls back, and silver-white highlight spikes punch through the darker layers at the brow and cheekbone edges.
Six colours hold this together: burnt orange base, flame red secondary, golden amber midtone, solid black outlines, silver-white for glare details and the yellow-green iris. The fur shapes are wide overlapping satin fills with angled direction changes at each layer so the whole thing reads as actual texture rather than flat colour blocks. And the density is high, sitting at 1230 stitches per square inch, which is why the stitch count runs from 25k on the smallest size up to 73k at the full 5.96 by 10 inch. This one takes time on the machine but the result is thick and patch-quality, so its worth the run.
I made this for people who want something where the overall effect is a serious wildlife piece rather than a cartoon animal. Earlier this year a customer brought it on a black canvas jacket back panel and sent photos, the fur burst reaches almost shoulder to shoulder at the large size. Bold choice, absolutely paid off. I ran this through Wilcom so the layer sequence sits clean and the colours don't bleed at the transition edges. Colour stop order and density have held up well through all the sizes.
Pick black, charcoal, dark navy or deep forest green fabric. Skip light fabric unless you want the white highlights to disappear into the ground colour. Heavy canvas, denim and thick jacket fabric suit the high density best. Use a medium-weight cutaway stabiliser with a topping on any textured ground, and let the machine run slow on the dense centre fills to avoid thread breaks.
Seven sizes from 2.39 by 4 inches up to 5.96 by 10 inches, so you can run it as a chest badge or scale up to a full back piece depending on the project. Hit the shop inbox if a colour stop comes out of order and Ill walk you through the fix.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Back panel on a black canvas or denim jacketScale the full 5.96-inch on a black canvas jacket back and the fur burst reads almost shoulder to shoulder
- Large chest graphic on a heavyweight hoodieCentre the 4 inch placement on a dark hoodie chest and the yellow-green irises pop against the black ground
- Cap or beanie front badge at the smaller sizesRun the smallest 2.39-inch on a structured cap front and it still reads as a full face rather than a detail
- Gym bag side panel for a bold wildlife statementPlace the medium size on a gym bag side panel in black nylon and the high-density fill holds up through heavy use
- Biker vest centre back patchPosition the large size as a centre back patch on a leather biker vest for a premium wildlife statement piece
- Tote bag feature panel in a streetwear collabUse on a vendor tote as a limited streetwear collab piece, the flame burst composition photographs well flat
- Framed textile art piece stretched over a canvasStitch the largest size on heavy cotton and stretch it over a canvas frame as a standalone textile art print
- Sports team warm-up jacket graphicPut the medium on a sports warm-up jacket back and the forward-facing eyes read well from a distance on a field
Dimensions
7 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.39 × 4.01 in | 25,851 |
| 2.98 × 5.01 in | 32,695 |
| 3.58 × 6.01 in | 39,991 |
| 4.18 × 7.01 in | 47,622 |
| 4.77 × 8.01 in | 55,697 |
| 5.37 × 9.01 in | 64,330 |
| 5.96 × 10.01 in | 73,406 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










