The bunny is the focal point and the florals frame it like a botanical portrait, the stems arching in from both sides to meet at the top. Cream thread fills the bunny face and ears, the nose is a small dusty rose satin dot, and the eyes are black with a thin white highlight stitch. Around it, the flowers are dusty rose with petal-level directional stitching -- each petal fills from the outer edge inward, which gives them a slight dimensional look. Sage stems and tiny buds fill the gaps, its the kind of design that looks handmade even when its machine-stitched.
Wilcom EmbroideryStudio is what I used for the petal underlay sequencing. Without underlay each petal pulls toward the centre during stitching, so a contour underlay goes in first at low density then the top fill at 1,134 -- the petals come out with crisp edges and no puckering. The 12 thread colours take some setup time but most of the changes happen in the floral section, the bunny portion itself is only 3 colours.
I get a lot of messages from customers asking how this stitches on a blush pillow cover, it sits on a blush background really nicely because the cream bunny reads as a near-white contrast and the dusty rose flowers blend softly into the fabric. A customer shared photos last month of this stitched on a cream linen cushion for a spring nursery and the sage stems looked gorgeous against the warm ivory. Use a cutaway stabiliser on any pillow cover fabric -- the stitch count hits 38,970 at the largest size and it needs firm backing.
Skip topping on woven linen or cotton, the satin stitching sits fine on flat fabric. Add a light tearaway on top if youre on waffle or any loosely-woven fabric where threads can sink. Best hooped on a hoop with alot of grip so the centre doesnt shift while the outer floral ring is stitching.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Blush or cream pillow cover for a spring or easter nursery decorThe muted dusty rose and cream palette suits blush or cream fabric backgrounds; the bunny portrait centred on a pillow reads clearly at viewing distance.
- White linen tote bag for a botanical garden gift or spring market stallLinen canvas holds the 1134 density well; the tall 7.5-inch portrait format fills a standard tote front panel vertically.
- Sweatshirt chest placement for a soft feminine spring wardrobe pieceThe 4.58-inch width fits a standard sweatshirt chest placement; 12 thread colours give the floral ring real visual depth.
- Framed fabric panel in a hoop for easter home decor or a spring wall displayHoop the fabric after stitching and mount directly as decor; the circular floral framing looks intentionally framed even without a backing.
- Baby blanket corner embroidery for a nursery with a floral bunny themeUse the smallest 2.14-inch size for a blanket corner; the cream bunny and sage stems are delicate at small scale.
- Table runner centre accent in a spring dining room or easter brunch tablescapeStitch at the 4-5 inch size across a table runner centre; dusty rose flowers suit a spring or easter brunch colour palette.
- Fabric journal cover or diary for a handmade gift with a botanical feelFirm woven fabric like linen or heavy cotton is easiest for a journal cover; the flat petal fills hold their shape on stiff backing.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.14 × 3.50 in | 15,585 |
| 2.75 × 4.50 in | 20,787 |
| 3.36 × 5.50 in | 26,270 |
| 3.97 × 6.50 in | 32,407 |
| 4.58 × 7.50 in | 38,970 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
