The tiger face is the bit that pulls you in first. Three-quarter view, strong jawline, eyes forward with the kind of expression that means business. The stripes are done with directional stitching so the fur reads as actual fur, not a pattern printed on top. Nose has good shadow definition, the muzzle whisker dots sit above the lip line. And then you notice the flowers. Dahlias and open-faced daisies sitting right on top of the tigers head like a crown, leaves fanning out either side. Below the chin theres a botanical cluster that anchors the whole design at the base.
Its one colour and it works because of the contrast between the heavy tiger fill and the lighter open flower linework. Dense satin columns on the flower petals, directional tatami fill on the face, both sitting in the same black thread and still reading as completely different textures. Wilcom handled the density planning well here, four sizes from 5 to 8 inches wide and the detail doesnt drop off at the smaller stops.
I get messages about this one from wildlife sanctuary gift shops and from apparel people who do nature-themed collections. One customer ordered the 8-inch on a cream cotton twill jacket back panel for a conservation fundraiser event last september and it was exactly the right scale. The flowers soften what wouldve been a pretty intense wildlife portrait and make it wearable across alot more contexts than a plain tiger face would.
Avoid pale yellow or tan fabric because the tiger stripes lose contrast on warm grounds. White, cream, black, slate grey or charcoal all work well, dont overthink it. Use a solid cutaway stabiliser underneath because at 42k stitches on the biggest size you need that underlay locked and flat. Skip tearaway entirely on this one, theres too much density in the face fill for it to hold reliably. Message me if you need the file rerouted for a specific hoop size and Ill check what works best for your frame.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Wildlife sanctuary and conservation event merchStitch the 8-inch on cream cotton twill for a wildlife conservation fundraiser jacket, the floral framing gives it real event appeal.
- Nature-themed apparel jacket back panelRun the large size on a slate grey hoodie back for a nature-themed apparel line, flowers stop it reading too aggressive.
- Framed linen hoop for a home office or studyHoop the 6-inch in a wooden frame on natural linen and hang it in a home office where the owner wants personality on the walls.
- Tote bag for wildlife or nature-focused brandsEmbroider the medium size on a canvas tote for a wildlife or botanic garden gift shop, sells well alongside botanical prints.
- Denim jacket large format statement embroideryPop the 8-inch across a denim jacket back panel for a custom order where the customer wants bold and wearable at the same time.
- Cushion cover for a bold living room accentCentre on a charcoal linen cushion cover for a living room that mixes botanical and animal motifs across throw pillows.
- Outdoor and adventure brand branded merchandiseUse on a branded canvas tote or cap for an outdoor adventure brand that wants wildlife-themed merch with a design edge.
- Art print alternative as framed wall hoopStitch on oatmeal linen, hoop it in a 10-inch frame and hang it as a wall piece alternative to a framed print.
Dimensions
4 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 5.01 × 4.14 in | 26,889 |
| 6.01 × 4.97 in | 32,111 |
| 7.01 × 5.80 in | 37,327 |
| 8.01 × 6.62 in | 42,712 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










