The wreath sits as a full ring, no gap, no break. Lilies and open-faced peonies alternate all the way around, overlapping and packed close enough that the leaves tuck in between petals to fill every gap. Its the overlapping bit that makes this one feel lush rather than sparse. The outline style is looser and more illustrative than a traditional dense-fill wreath, kinda like a botanist sketched it quickly in pen then someone digitised it carefully from that drawing. Eight colours but honestly it reads mostly as blush pink, peach and soft greens against whatever fabric you put it on.
The density is high on this one, 62k stitches at the 7-in jumbo size and 34k on the smallest 4.5-inch. There are 7 colour changes and Wilcom ran the satin columns on the petal edges clean. What I realy like is how the directional stitching on the large peony and lily petals creates a raised, curved look when its sewn out. You can see the thread catching light differently across each flower face. Its not flat, its got actual dimensionality to it.
People use this one for a lot of things. My sister-in-law stitched the 6-inch on a white linen cushion cover last spring and it sat perfectly in the centre, the circular wreath ring just framing that empty cream linen space in the middle. Ping me a chat if you cant work out the right size and Ill sort it. Customising it for a personalised wedding gift is something I see customers do a fair bit, adding initials or a date to the open centre using separate lettering after the main stitch.
Back it with polymesh under on the back, especially on lighter linen or cotton voile where the density could cause pulling. Hoop your fabric snug before starting because there are 254 trims across the piece and loose fabric shifts. Stitch on white, cream or light oatmeal for the most cottage-garden look. Skip busy prints where the wreath outline would get lost. Slow your machine slightly through the petal overlap sections and youll get nice clean thread lay. Send me a chat if the file misbehaves and Ill rework the punch.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Wedding gift personalised cushion coversWhite linen with initials or a date stitched into the open centre at the 6-inch, a personalised wedding gift customers use again and again.
- White linen table centrepiece hoopsBridal shower table centrepiece framed in an 8-inch frame at the 7.5-inch, the circular wreath sits perfectly in the round.
- Bridal shower tote bagsNatural canvas tote with a ribbon handle tied on at the 5-inch for a bridal shower gift bag with botanical charm.
- Nursery wall art in embroidery framesCream cotton cushion front at the large size as the main throw pillow feature in a living room.
- Cotton shirt yoke or back panelPale wood hoop frame above a cot nursery wall, the soft blush and sage tones suit any neutral room palette.
- Linen drawstring gift pouchesCream cotton shirt back yoke at the 4.5-inch for a delicate botanical detail on a light summer garment.
- Home decor throw pillow frontsWhite muslin drawstring pouch at the smaller size for linen gift wrap that the recipient actually keeps.
- Spring market tote bagsSage canvas tote at the 5-inch for a spring farmers market carry-all that suits the season without being seasonal.
Dimensions
7 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 4.50 × 4.51 in | 34,929 |
| 5.00 × 5.01 in | 39,011 |
| 5.50 × 5.51 in | 43,404 |
| 6.00 × 6.01 in | 47,993 |
| 6.50 × 6.51 in | 52,711 |
| 7.00 × 7.01 in | 57,641 |
| 7.50 × 7.51 in | 62,725 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
