Swallow mid-flight, both wings out, forked tail extended back. The outline traces the body and wing edges in a solid run but the feather detail inside the wings breaks into loose ink-wash style strokes, like someone painted it with a pointed brush and let the bristles splay slightly at the tips. Single colour. 3 sizes only, 5.5 inches wide up to 7.5 inches, stitch count 1,491 to 1,859. Thats a surprisingly fast run. Two minutes on most machines at the small end.
1,800 stitches is barely anything and it still reads as a complete finished piece. Thats the whole point of the watercolour-line hybrid approach, minimal thread, maximum impression. The broken feather strokes across the wing panels do more work than a fill would at this scale because they suggest texture without adding weight. Recieved a nice message last week from a maker who put three swallows in a row on a linen scarf and said the low stitch count let her do the whole thing in under eight minutes total. My customers who do wildlife and bird themed apparel love this one for exactly that reason.
Try it on the back collar band of a shirt, a small wrist cuff, or scattered across a wide-leg trouser hem. Works on any plain woven fabric where the thread colour contrasts, its that forgiving. Use it on navy or dark fabric with a lighter thread colour and the open-body outline reads even better because your eye fills in the negative space. If you want help getting the placement right on a curved surface send me message and Ill walk you through the hooping.
Tearaway stabiliser is fine for all sizes. Low density, no cutaway needed. Hoop cotton, linen, canvas or twill without over-tensioning. Skip topping on plain wovens, the detail strokes in the feathers dont need it. One color. Done.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Back collar band embroidery on shirts and blousesStitch on the back collar band of a white linen shirt at 5.5 inches and it reads as a hand-printed detail
- Linen scarf repeat patterns for slow-fashion makersThree swallows spaced across a long linen scarf looks like a repeat-print textile piece, and multiples run fast
- Small wrist cuff or sleeve hem accentsWorks on a slim wrist cuff blank or shirt sleeve hem at the smallest 5.5-inch size for a clean wearable-art accent
- Minimalist tote bag corner placementPop one swallow on a canvas tote lower corner, especially striking in navy thread on natural canvas
- Hoop art with raw linen edges for wall decorHoop on 8-inch natural linen, leave raw edges folded back and hang as minimal wall art in a bedroom or studio
- Personalised napkins and table linen setsEmbroider on cotton napkins for a dinner set gift, the low stitch count lets you run six without machine fatigue
- Trouser hem or wide-leg hem accent stitchingRepeat along the hem of wide-leg linen trousers for a slow-fashion signature detail that takes under 10 minutes per bird
Dimensions
3 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 5.50 × 2.30 in | 1,491 |
| 6.50 × 2.72 in | 1,662 |
| 7.50 × 3.14 in | 1,859 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










