Heres the girl with green leaves dress, a fashion sketch on cream and the smallest hoop runs 3.49 inch wide. Tall figure stands side-on, wide-brimmed sun hat tilts low across her face, one hand raised to hold the brim. The gown flows long with a fitted forest green bodice up top, then opens into sheer line-art skirt panels drawn in fine ink black running stitch so the dress reads as fabric without being heavy.
And the fern vines are what carries this design. They wrap the figure from shoulder to hem in three shades, deep forest green satin stitch for the main fronds, sage for the mid layer, and soft mint catching the light at the tips. Each leaf reads directional cause the satin column follows the spine of the leaf, not just one flat fill direction. So the foliage looks alive instead of pasted on. Honestly the digitising on the fronds is what gives it gallery weight, the underlay and satin work bring real catalogue depth.
Boutique owners ping me alot about this one. One customer last autumn ordered the 7.49-inch size for a linen tote her shop sells at a farmers market. She sent photos two weeks later and the cream base really let the green sing. Im keeping her shot bookmarked.
Stitch this on cream, ivory, oatmeal, soft white or pale sage woven for the cleanest read. Peach skin tone needs a light fabric beneath it cause charcoal or navy will swallow the figure whole. Skip jersey aswell, the fine sheer skirt panels cant hold their shape on knit, the dress will collapse. Linen, cotton twill, light canvas, lightweight denim all work fine.
Stitch count hits 18252 at the biggest 7.49 inch height and 7751 at the smallest 3.49 inch. Density runs moderate at 558 cause alot of the artwork is line work, theres not heavy fill, only the bodice and the satin leaves carry weight. Lay a medium tear-away beneath woven cotton. Step up to a 2oz mesh cutaway if your base has any stretch. Frame your hoop snug, then drop machine speed when you reach the fern colour blocks, thats where the 9 thread swaps stack up close. Stretch it to the 6 or 7 inch hoop on cream linen, frame in raw wood and the panel hangs like gallery art in a botanical bedroom.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Cream linen tote bags for boutique shopsStitch the 7.49 inch size on a cream linen tote, leaves read crisp on a boutique market bag
- Wall hoops for botanical-themed bedroomsHoop the 7 inch size in raw wood and hang in a botanical bedroom, satin leaves catch light
- Ivory linen cushion covers for reading nooksEmbroider the 6 inch size on an ivory linen cushion, the fashion sketch sits like quiet wall art
- Oatmeal cotton aprons for floristsAdd the 5 inch size to an oatmeal cotton apron pocket for a florist who wants illustration not logo
- Pale sage canvas pouches for makeupPop the 4 inch size on a pale sage canvas makeup pouch, leaf vines feel right on small canvas
- Cream tea towels for kitchen botanical setsStitch the 5 inch size on cream tea towels as part of a botanical kitchen gift set
- Soft white linen napkins for garden party tablesSew the 4 inch size on soft white linen napkin corners for a garden party or spring bridal lunch
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.49 × 2.04 in | 7,751 |
| 4.00 × 2.33 in | 8,953 |
| 4.49 × 2.62 in | 10,178 |
| 4.99 × 2.91 in | 11,462 |
| 5.49 × 3.20 in | 12,716 |
| 5.99 × 3.49 in | 14,057 |
| 6.49 × 3.78 in | 15,421 |
| 6.99 × 4.08 in | 16,812 |
| 7.49 × 4.37 in | 18,252 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
