Gnome bodies are basically hat plus beard plus feet and this one commits to all three. The hat is huge, a floppy burnt-orange cone that takes up the top half of the design, with a small skull badge stitched near the brim in white and dark brown. Its kinda the most halloween thing ive put on a gnome hat. The beard below it is long and white with a crosshatch directional fill that gives it actual texture, like chenille almost. Two small hands poke out from the sides holding an orange pumpkin with carved face lines at chest level. Tiny rounded feet at the base, barely there.
Thirteen colours is the highest count in the whole halloween gnome series. The hat alone takes 3 orange tones to get that depth, and the beard uses warm grey plus white plus a shadow tone to build the volume. Wilcom layered the beard sections with angled underlay before the main crosshatch, which is why the texture reads properly even at the smaller 3.49-inch size. The pumpkin is a flat satin orange with carved line details in dark brown, simple but it reads clearly from a distance. 13 stops on the machine but dont let that put you off.
This is kinda the classic fall seasonal design, the one that sells hardest between late september and november 1st. A customer who does craft market batches ordered 20 tea towel sets with the 3.49-inch gnome on cream linen last october. Said it was the most commented item on her table. She came back in january wanting to know if I had a christmas version. I do but it's in a separate listing.
Works best on cream linen, white cotton, or natural canvas where the orange-and-white palette has room to breathe. Avoid dark fabric because the white beard becomes the most important element and it needs contrast to read properly. Use cutaway stabiliser at all sizes, the 45k stitch max is alot of density for the hat sections. Dial the rpm back slightly on the beard crosshatch, thats the section with the most directional complexity in the whole design.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- halloween kitchen tea towelStitch the 3.49-inch size on a cream linen tea towel for a kitchen seasonal decor swap that gets commented on every single autumn
- autumn tote bag or treat bagEmbroider the 4-inch version on a natural canvas tote for a trick-or-treat bag that looks handmade in the best possible way
- fall home cushion or pillow coverHoop a linen cushion cover with the 5-inch size for a fall sofa cushion that works from september through november without looking out of place
- halloween tee shirt or sweatshirtRun the 4.5-inch version on a cream or white sweatshirt for a halloween outfit that isnt a costume but still counts as dressing up
- seasonal canvas wall hoopUse the 3.49-inch version in a 5-inch hoop on linen for an autumn wall piece that hangs on the gallery wall without being too themed
- craft market gnome batch projectPick the smallest size for a craft market batch project on tea towels or linen bags, the 18k stitch count means you can run multiples quickly
- halloween table runnerAdd the large 7.5-inch version to a cream linen table runner for a halloween or thanksgiving table that has that handmade artisan feel
- kids trick-or-treat bagHoop a canvas kids bag with the medium size for a trick-or-treat bag that theyll actually want to carry rather than just use once
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.49 × 2.00 in | 18,553 |
| 4.00 × 2.29 in | 21,680 |
| 4.50 × 2.57 in | 24,615 |
| 4.99 × 2.86 in | 27,793 |
| 5.50 × 3.15 in | 31,265 |
| 6.00 × 3.43 in | 34,820 |
| 6.50 × 3.72 in | 38,308 |
| 6.99 × 4.00 in | 42,245 |
| 7.50 × 4.29 in | 45,921 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










