Its a border design, basically. A thin curling vine drawn in black satin stitch weaves left to right and these hearts just kinda tumble off it in alot of different directions. Five colours total: deep red, a coral-ish red, hot pink, soft pink and one very pale blush heart near the end that almost disappears into white fabric. And the sizes in the bunch vary too, big ones, small ones, a few that are just open outlines. The whole thing reads as movement, like the hearts are being flung outward from a single line.
Punched in Wilcom for clean colours here, and that matters with 5 threads because you want the bobbin tension sitting right for each transition. The density on this one is only 218, so its on the lighter side. That means it sits flat on quilting cotton and doesnt bulk up on denim either. The vine itself uses a narrow satin column, maybe 2mm wide at the thinnest points, so use a cutaway stabiliser underneath rather than tearaway. A customer asked me about the smallest size on a canvas bag and it ran cleanly at 2.09 inches wide.
The directional stitching on the filled hearts runs at a slight diagonal, not straight up and down, which gives them abit of visual depth. The outline-only hearts are just running stitch loops. Hoop your fabric snug so those tiny loops dont pucker. Rayon thread shows the colour gradient nicely but polyester works fine if the item is going through heavy washing.
Best on fabric with a smooth weave so the vine stays crisp. Pair it along a collar, a cuff, or as a repeating border down the side of a tote. And the 7.51-inch tall version fills a standard 8x8 hoop comfortably if you want it as a standalone panel piece.
Use a 70/10 needle, pop it onto woven cotton or linen and the line work stays sharp. Skip topping on smooth fabric but use a thin film topping on velour or fleece so the vine outline doesnt get buried in the pile.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Valentine's Day tote bags and shoppersThe horizontal layout runs naturally along the bottom edge of a canvas tote, sized down to 3-4 inches wide it fits most bag widths
- Shirt cuffs and collar bordersScaled to the 2-inch width it sits cleanly along a shirt cuff or collar without overpowering the garment
- Baby blanket edge trimThe soft colour palette works well on pastel fleece blanket edges, just add a water-soluble topping over the nap
- Canvas pouches and zipper bagsFits nicely centred on a 5x7 inch canvas pouch front panel in the mid sizes
- Pillowcase bordersThe flowing vine reads as a decorative border when repeated along the hem of a pillowcase
- Quilt panel centre motifAt full 7.5-inch height the design fills an 8x8 hoop as a standalone embroidered panel for quilting
- Linen tea towel decorationOn a flour-sack style linen towel the black vine outline stays sharp and the five-colour hearts pop well
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.09 × 3.51 in | 2,648 |
| 2.69 × 4.51 in | 3,613 |
| 3.28 × 5.51 in | 4,724 |
| 3.88 × 6.51 in | 5,936 |
| 4.47 × 7.51 in | 7,325 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










