Big red sun behind a black torii gate, with a twisted bonsai pine arching across the top right corner. The water below catches indigo and gold reflections and theres a small rocky island under the pine where it roots in. Soft blue mountain shapes peek out behind the gate. The composition reads left to right like a proper ukiyo-e woodblock print.
Sun fill is solid scarlet red satin with a smaller burnt-orange disc inside it, no gradients, just bold flat shapes the way old woodblock printers used to layer their colours. Pine canopy is done in directional stitches that fan outward like real needle clusters, not just a blob. Torii pillars use a vertical satin column so they read clean and architectural. Water reflections are short angled stitches that mimic ripples. Density holds around 1161 across the board which is sensible for the dark indigo fills.
One customer ordered the 6x7 size last Tuesday for a kimono robe back panel and said it stitched perfect first try on charcoal silk. Ive been digitising japan-themed pieces for about six years now and the torii motif sells year-round, not just for cultural events. Goes hard on travel souvenirs and dojo banners too.
Stitch this on linen or a heavier cotton-poly, the dark fills are stitch-heavy so you want a stable base. Cream and natural linen show off the colours best. Black or charcoal also work if you want a moodier print, just expect the indigo shapes to read darker against the fabric. Skip stretchy or thin fabrics for the 7 inch size, the 60k stitches will pull. Back the hoop with two layers of standard cutaway when your tension is iffy, and switch in a fresh 80/12 sharp before the satin columns so gate edges stay crisp. Dont rush the colour swap from red to indigo, that ones quick.
Drop a quick note through the contact form when the download wont open and a clean copy will be over to you by mid afternoon.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Kimono robe back panel embroideryCentre the 6x7 size on the back of a kimono or yukata robe in charcoal silk, looks museum quality.
- Dojo and martial arts studio bannersStitch the jumbo 7x7.5 size onto canvas banners for dojo entrances, holds up to years of use.
- Japan travel keepsake wall hoopsHoop the 5x5 in a 6 inch wooden ring as a travel keepsake, works as a hostess gift from japan trips.
- Cushion covers for zen meditation roomsPair the 4x4 with linen cushion covers in pairs for meditation room corners or reading nooks.
- Tote bag panels for sushi restaurant merchPop the 5x6 size on a heavy canvas tote for a small sushi spot wanting branded staff bags.
- Linen wall art for minimalist home decorStretch a finished 7.5 inch stitch over a 10 inch frame for sparse minimalist gallery wall art.
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.27 × 3.49 in | 20,250 |
| 3.74 × 3.99 in | 24,414 |
| 4.20 × 4.49 in | 28,823 |
| 4.67 × 4.99 in | 33,334 |
| 5.14 × 5.50 in | 38,283 |
| 5.60 × 6.00 in | 43,346 |
| 6.07 × 6.50 in | 48,963 |
| 6.54 × 7.00 in | 54,850 |
| 7.00 × 7.50 in | 60,970 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










