Stitched out this one after a dance teacher asked me for something that wasnt just a generic ballerina silhouette. The lamb is standing on one leg in a proper first-position turn, curly grey wool all over the body, pink blush on the cheeks, and a tiny heart-shaped nose that honestly looks better at the 5-inch size than I expected. The tutu is the real star though. Red satin bodice, yellow base skirt, white polka dots stitched right into the red layer with a fill change rather than an applique, so it stays crisp even on smaller hoops.
Theres 11 colour stops in the digitising sequence, which sounds like alot but its well-organised. Wilcom EmbroideryStudio laid the stitch order so you go from body fill outward to details, meaning you dont get colour bleed from the grey wool onto the tutu red. The flower near the ear is a tight satin cluster in two tones. Density runs at 830 stitches per square inch across the main fills, so this is dense work, youll want a medium-weight cutaway stabiliser and a proper sharp needle, size 75/11 works well for most jerseys and fleece. Biggest size is 5.62 by 7.01 inches at 32,708 stitches, smallest is 2.41 by 3 inches at 12,616.
A customer messaged me last autumn saying she put the 4-inch version on personalised dance bags for her daughters whole ballet class. Said the kids went absolutely mad for it and the studio director asked where she got the file. That kind of thing makes the long digitising sessions worth it. And honestly the lamb face with those closed happy eyes reads so well on light pink or mint cotton twill it doesnt even need anything else around it.
Pick smooth cotton canvas, medium fleece, or twill for best results. Light pink, mint green, white, and soft yellow backgrounds all work beautifully with the grey and red. Skip anything with heavy texture or a pile because the polka dot details in the tutu will lose definition. Back it with a firm cutaway, float an extra layer if youre hooping thin jersey, and trim your jump threads between the wool segments and the tutu or you get a grey thread peeking through the red bodice.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Personalised ballet class tote bags for recital seasonStitch the 4-inch version on a canvas tote and personalise with the childs name below for a recital gift the whole dance class will want
- Kids bedroom cushion covers with a dance themeCentre the 5-inch on a white or pale pink cushion and pair with a tutu-print pillowcase for a ballet-themed bedroom corner
- Dance school uniform pocket embroideryPut the 3-inch on the left chest of a dance school polo or zip-up so its small enough to be uniform-appropriate but still adorable
- Baby girl onesie front panel for a shower giftUse the smallest size on a white cotton onesie for a ballet-mad mum-to-be, makes a standout baby shower gift for a dancer
- Zipper pouch for storing ballet slippersStitch the medium size on a pastel canvas zipper pouch wide enough to hold a pair of ballet flats rolled up neatly
- Toddler sweatshirt chest panel for a dance loverPlace the 4-inch on the chest of a pale pink fleece sweatshirt and it reads like a proper boutique piece, not a craft project
- Iron-on patch base for handmade nursery wall artIron stabiliser to felt, stitch the biggest size, cut around it carefully and mount on a painted wooden embroidery hoop for nursery wall art
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.00 × 2.41 in | 12,616 |
| 4.01 × 3.22 in | 17,032 |
| 5.01 × 4.02 in | 21,829 |
| 6.01 × 4.82 in | 27,027 |
| 7.01 × 5.62 in | 32,708 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










