The yellow lily sits front and centre, its 6 petals fanning out with directional satin stitching that follows each petal's natural flare. Behind it and slightly offset sits a second lily in terracotta-brown, its petals curving differently so the two blooms dont compete. Then to the side you get small five-petalled wildflowers in hot pink, tight little things kinda like cosmos or garden pinks in scale, and the berry clusters on thin stems rising above the main canopy.
Six colours in sequence. Green foliage first, then yellow, terracotta, pink, the accent orange bud, then black for stamens and outlines. Wilcom for digitising, so the underlay is properly mapped and the satin stitching wont gap after washing. At 7 inches the count hits about 17,000 stitches which is dense but handles well on mid-weight fabric.
Pair no-show mesh cutaway with most base fabrics. Long satin stitches need the stabiliser to stay flat, skip lightweight lawn or batiste and youll get puckering. Woven cotton, linen, denim and canvas are all fine. Hoop firm and pop a topping layer on any textured linen or waffle weave before you run it.
A customer who sews floral tote bags as a small side business messaged me last summer about the 5-inch size. She sewed it on natural canvas in the original thread colours, said the terracotta-yellow combination against the raw canvas looked like something from a botanical print shop. Best on mid to light base fabrics where the warm colour palette can breathe. Skip very dark bases, the yellow reads poorly on navy or black without a backing stitch.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Linen cushion cover statement motifCentre it on a cream or sage linen cushion cover and the warm yellow-terracotta-pink palette works across most living room colour schemes
- Canvas tote front panelStitch at 5-7 inch on the front of a natural canvas tote and the cluster reads like a hand-painted botanical illustration
- Denim jacket pocket or shoulder panelWorks on the chest or shoulder panel of a denim jacket where the earthy tones complement the indigo base fabric naturally
- Wall hoop in a bedroom or nurseryFrame in an 8 or 10-inch hoop on natural linen and hang it in a bedroom or nursery where you want warm botanical colour
- Cotton tote for a farmers market aestheticThe wildflower-and-berry mix has that foragers market vibe that suits a reusable cotton shopper well
- Quilting centre blockUse as a centre block in a patchwork quilt surrounded by coordinating solid or small-print cotton squares
- Gift for a wildflower or garden enthusiastMakes a genuinely nice gift mounted and framed for anyone who grows or studies wildflowers
- Apron bib panelStitch on the bib panel of a canvas or denim apron for a garden-seller or florist aesthetic
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.00 × 1.51 in | 6,558 |
| 4.00 × 2.01 in | 8,790 |
| 5.00 × 2.52 in | 11,319 |
| 6.00 × 3.02 in | 14,168 |
| 7.00 × 3.52 in | 17,255 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
