The figure sits in profile, just a silhouette. Black thread traces the upper body, the big curly hair, the arm reaching forward holding what looks like a trailing heart on a string. Then below the waist its all red. The skirt stacks a bunch of individual hearts together, bigger ones at the bottom and lil ones scattered around the edges, so it reads as a dress shape rather than a pile. And at the very bottom theres a cursive Love word in the same red thread that sits like a signature under the whole thing.
Wilcom EmbroideryStudio mapped the red fill sections so each heart gets its own directional satin pass rather than one big flood fill. Thats why the density comes in at 741 on the larger sizes. The fill runs heavy, 2 colours and five sizes worth of data means the machine makes alot of short jump moves between heart segments. A cutaway stabiliser is non-negotiable here, and Id go medium-weight. Hooped woven cotton or a stable knit handles it well.
The black outline section traces hair and body contours in running stitch. The red skirt section eats most of the 26,119 stitches at the largest size. The cursive Love at the base uses a satin column approach so it stays readable even at the 3.49-inch width. Run it on black fabric and the red pops hard, or try cream linen for a softer valentines look.
A customer ordered the 4.7-inch hoop run on a zip pouch and told me it came out cleaner than she expected given how many individual heart fills sit packed in there. Use a 80/12 needle on denim and a 75/11 on cotton. Youll want to run the bobbin thread at looser tension so the underlay doesnt show through between the hearts.
Stitch it on a tote, a cushion cover or the front pocket of a sweater. The design is portrait orientation so it fits naturally on a standard 5x7 hoop at the mid sizes.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Valentine's Day gift tote bagsThe portrait shape fits neatly on a fashion tote front panel, the 4-5 inch sizes work best here
- Cushion covers and throw pillow frontsStitched on black velvet cushion fabric the red skirt and Love script look really striking as a bedroom accent piece
- Sweatshirt chest patch or pocket areaThe small 3.5 sits on a standard sweatshirt left-chest pocket area without overwhelming the garment
- Zip pouch front panelAt the mid 4-inch width it fills a zip pouch front cleanly, just enough room for the full skirt spread
- Framed embroidery art for a bedroomStitched on natural linen and stretched in a 6-inch hoop frame it makes a straightforward wall piece
- Denim jacket back panelThe large 7.5-inch version works as a denim jacket back panel statement piece in heavy red thread
- Apron bib decorationThe image sits well centred on an apron bib, bold enough to read from across a kitchen
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.49 × 2.20 in | 10,256 |
| 4.49 × 2.82 in | 13,740 |
| 5.49 × 3.45 in | 17,493 |
| 6.50 × 4.07 in | 21,732 |
| 7.50 × 4.70 in | 26,119 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










