Mama Today Tomorrow Always Embroidery Design, Mother's Day Pattern, Instant Download

Mama Today Tomorrow Always Embroidery Design, Mother's Day Pattern, Instant Download

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Designs may be stitched on items you make for personal use or to sell. The digital file itself stays mine and cant be redistributed. Read full license terms.

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At 35,372 stitches for the 7.5-inch, this earns every penny of the complex tier. Three stacked "MAMA" rows sit in a tight column, each step warmer in colour: coral-orange up top, salmon-pink in the middle, hot fuchsia at the bottom. Then "today", "tomorrow", "always" in black satin cursive cuts across each row, one word per line. The layering is the tricky part. Getting the underlay sequencing right so the script doesnt sink into the dense fill underneath took me alot of test runs on fleece scraps before I was happy with it.

Needs a cutaway stabiliser on stretchy french terry, but worth it because the directional satin on the script letters stays crisp wash after wash. On a white sweatshirt that coral-to-fuchsia gradient reads so clean. The 4-inch fits a shirt pocket nicely at around 18,000 stitches, tight enough to hold detail without crowding. Hoop with medium-weight cutaway, topping on the block fill sections, and keep bobbin tension even so the hot fuchsia doesnt pull out of register on the bottom row. Skip any topping under 1.5oz or youll get texture bleed on that bottom colour.

A mum in my craft group stitched this last week on denim for a mothers day gift and texted me a photo of the finished piece, and honestly the fuchsia row just pops on indigo denim in a way I wasnt expecting. But denim needs a heavy cutaway or the block letters spread under tension. Pop it centred on a canvas tote for a cleaner look, or go big with the full 7.5-inch on a fleece lap blanket panel where all that tatami fill texture catches the light. Use a sharp 75/11 needle and drop the machine to about 650 stitches per minute on the satin script sections so the black cursive stays defined.

Center the design carefully on jersey or it skews fast with dense fills like this. Iron the back of cotton pieces before hooping so everything lays flat right from the first pass. Add a lil extra stabiliser at the outer edges of the bottom "MAMA" row where the density is highest, thats where most machines struggle if the hoop shifts mid-run.

Drop me a line if your machine trips on the small text.

What people are using this design for

A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.

  • Sweatshirt front chestNeeds a cutaway on stretchy french terry but the coral-to-magenta stack reads beautifully on white or cream.
  • Canvas tote bagRuns clean across a zipped canvas front, the 3.5-inch version fits without crowding the handles.
  • Fleece lap blanketGo with the 7.5-inch on a thick fleece panel so all five sizes worth of stitch detail actually shows.
  • Denim jacket back yokeStitch the 5-inch version centred on the back yoke of a denim jacket for a bold statement piece.
  • Cotton tea towelA 4-inch placement on plain cotton terry cloth works surprisingly well as a gift for a new mum.
  • Baby gift linen pouchUse the smallest 3.5-inch size on a linen drawstring pouch, lines up perfectly as a gift presentation.
  • mothers day card framed hoop artHoop a 6-inch natural linen square, stitch the mid-size, and frame it as a ready-to-hang keepsake.

Dimensions

5 sizes included. Stitch counts shown for the largest colorway.

Size (in) Stitches
3.50 × 2.60ches in 11,812
4.50 × 3.34ches in 16,477
5.50 × 4.08ches in 22,132
6.50 × 4.82ches in 28,345
7.50 × 5.57ches in 35,372

Files & Formats

Eight machine formats included in one zip. Whichever your machine reads, its in the pack.

CND
DST
EXP
HUS
JEF
PES
VP3
XXX

Plus a color chart for thread matching. See full format guide.

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Reyazul Masud Riham, the digitizer behind Re Embroidery
Behind every stitch

About the artist

Reyazul Masud Riham, hand-drawing every design on this site

Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.

That's the joy I work for.

The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.

Read the full story

1Hand-digitizer
7,000+Original designs
3-4Days per design
100%Hand-digitized