Getting the underlay right on this one took me three attempts, not kidding. The blackletter serifs on those hairline strokes kept collapsing at smaller sizes and I had to go back into the pro digitising tools and rebuild the satin columns from scratch before they sat flat on cotton without gapping. Its "Mother Hood" stacked two lines in heavy gothic blackletter, the kind of lettering you would see on a tattoo flash sheet, and scattered around the whole thing are six butterflies with white wing veining sewn in directional satin plus a handful of four-pointed sparkle stars. One colour. Done. But dont let that fool you, the density sits around 655 stitches per inch on the main fill so this reads sharp and genuinely heavy even on dark fabric. Use a cutaway stabiliser and a water-soluble topping on terry or fleece pieces, it keeps the tatami fill from sinking into the pile. For denim or canvas the directional underlay alone is enough, skip the topping entirely. Hoop your fabric grain dead straight and center the design carefully, those dense satin columns catch the light at an angle and any lil twist shows immediately. Ive stitched this on charcoal canvas, natural linen, black cotton jersey and dark navy twill and it looks different on every one of them, all good. At 3.5 inches wide the stitch count is around 10,614 so it runs out fast, handy if youre doing a batch. Last week a mum who runs a craft stall messaged me after running these on charcoal canvas totes and said the whole batch cleared before lunch. Pair the 5-inch with a heavy linen piece for framing and the gothic contrast is genuinely something people stop and look at.
Drop me a message if the base layer peeks through up top.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Black canvas tote bagHonestly my favourite spot for this one, black-on-black satin fill on canvas reads like something from a boutique.
- Denim jacket back panelCentre the 7.5-inch on the back and it holds its weight as a standalone piece.
- Heavy cotton sweatshirtStitch the 5-inch on a charcoal sweatshirt chest and the gothic letters sit really solid.
- Linen framed hoopPop the full 7.5-inch on natural linen and frame it, the contrast is genuinely striking.
- Fleece blanket cornerSmallest size in the bottom corner of a cream fleece throw gives it this understated edgy detail.
- Baseball cap frontOn a structured cap front the 3.5-inch stays crisp as long as you back it with cutaway stabiliser.
- Dark navy twill pouchUse the 4-inch on a dark twill pouch, the dense fill handles the tighter weave without puckering.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 2.88 in | 10,614 |
| 4.50 × 3.71 in | 14,683 |
| 5.50 × 4.53 in | 19,389 |
| 6.50 × 5.35 in | 24,767 |
| 7.50 × 6.18 in | 30,355 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
Reviews
No reviews yet for this design. Be the first to share your make once you have stitched it. Tag us on Instagram and we will feature your work.
Browse by category
Pick a theme, find the perfect design for your next project
About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










