This owl is the round soft kind. Not a realistic raptor, not a flat cartoon clip-art bird. Its got that plump shape where the body is basically a sphere with wings pressed flat against the sides, sitting heavy on a slim diagonal branch. One eye is wide open, the big dark iris fills most of the eye disc. The other eye is half shut in that sleepy sideways expression that makes the whole thing look like its just woken up from a nap. Which honestly is part of the charm.
Ten colours go into this one and at 56,275 stitches on the largest size you can feel why. The feather layers are the complex part. Brown satin overlaps on the wing panels with a directional shift between layers so the upper wing reads slightly different in sheen to the lower body feathers. The cream belly gets a set of small dark teardrop speckle marks scattered across it. The olive green secondary wing panel sits behind the main brown wing with its own directional fill. The branch is a slim tatami strip in warm bark brown with two tiny leaf clusters in dusty olive branching off the tip.
Five sizes go from 3.51 by 3.08 inches up to 7.51 by 6.6 inches. A customer messaged me last spring after stitching the large version on the back panel of a linen tote she carries her knitting project around in. Said she gets stopped in yarn shops about it fairly regularly, which is the kind of feedback that makes all the extra colour changes worthwhile. Density at 1,135 stitches per square inch is high, so its a slow and steady stitch, not a 20-minute job.
Smooth medium weight woven fabrics work best. Cream linen, natural cotton canvas, warm beige twill. Its all warm earth tones so the palette doesnt need a dramatic base colour to carry itself. Avoid fleece or terry cloth, too much pile and the feather texture stitching disappears completely.
Use a medium to firm cutaway stabiliser and hoop tightly. Float a layer of water-soluble topping on any linen with a visible weave so the owl outline sits crisp on the surface threads. Skip silky or synthetic fabrics, the high density at 1,135 spi will pucker a slippery base badly. With 10 colour changes, lay your bobbins out in sequence before you start. Message me if a thread shade is out of stock at your supplier and Ill find a thread substitute.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Linen tote bags for book lovers and craftersStitch the large version on the back panel of a linen or canvas tote and carry it as a project bag to craft circles or yarn shops
- Woodland nursery cushion coversPlace the medium size on a square cushion cover in cream or warm beige for a woodland nursery that works for any age
- Cotton canvas project bags for knitting or crochetUse the 5-inch version on the front of a large canvas zip pouch for carrying a knitting or crochet project, needles included
- Childrens bedroom wall hoop artHoop an 8-inch square of cream cotton, stitch the design and float it in a wooden embroidery hoop frame as ready-to-hang nursery art
- Back panel of a linen jacketIron fusible backing onto the stitched design and position it on the back of a caramel or cream linen blazer for a weekend look
- Nature-themed tea towel setStitch the small version repeated at each short end of a white cotton tea towel set for a woodland kitchen gift set
- Library bag for kids school reading programmesAdd the medium version to a plain cotton library bag using iron-on backing, personal and easy enough for a school fair project
- Forest birthday party favour pouchesStitch the small size on a set of drawstring pouches filled with sweets or small toys for a woodland-theme birthday party
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.51 × 3.08 in | 22,621 |
| 4.51 × 3.96 in | 29,877 |
| 5.51 × 4.84 in | 37,891 |
| 6.51 × 5.72 in | 46,740 |
| 7.51 × 6.60 in | 56,275 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










