Heres a phrase Id been wanting to letter for months. The challenge with perfectly imperfect is alot of designers go too perfect with it which kinda misses the point. So I leaned into uneven strokes and slightly off-baseline characters. And the hand-drawn quality reads warmer than typeset script. Last summer I sized it down for kids tees.
Stitch counts run 6506 to 16722 across 5 sizes. Widths span 2.17 to 5.04 inches with heights going up to 7.01 inches on the tallest version. Two colours total. Density is dialled to 473 spi which is a touch lighter than usual cause the script strokes need breathing room. reach for cutaway on stretch fabrics aswell as tearaway for woven items. Hoop firm and skip topping mostly needed on fleece. Heres the trick I picked up from canvas runs Ive set up.
I get messages alot from customers usin it as a sleeve detail on long-sleeve tees, or stacked vertically along a tote panel. But the colour split lets you also stitch each word in a different placement on the same garment if you want. One customer ran perfectly on the left chest and imperfect on the right sleeve of a hoodie. Worked great.
The 2.17 inch version sits clean on a sleeve cuff, the medium sizes suit a centre chest placement, and the 5.04 inch tall version fills a tote panel nicely. Run it on cotton, linen, canvas, denim. Avoid heavy pile cause the uneven strokes can sink into fleece without topping. Hoop with the seam allowance pinned out for stretch garments.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Long sleeve cuff detailCustomer ran perfectly on the left chest of a hoodie and imperfect on the right sleeve, the colour split lets you separate the words by garment area.
- Tote bag vertical panelLong sleeve cuff placement reads as personal mark, the uneven strokes feel warmer than typeset script across the wrist line.
- Hoodie split placementTote bag vertical panel suits the tall portrait shape, two-colour palette breaks the stack visually for a brighter market table display.
- T-shirt left chest markHand-drawn quality reads as wholesome rather than preachy, the off-baseline characters lean into the message instead of fighting it.
- Linen kitchen towel cornerTea towel corner placement works with tonal threads for kitchen palettes, terracotta and sage already match autumn dish sets.
- Canvas zip pouch frontHolds a 2-inch hoop steady for sleeve detail work, fine thread weight keeps the curling letter tails legible at small scale.
- Sweatshirt centred front graphicSweatshirt centred fronts wear well after a alot of washes, the lower density allows breathing room so the strokes dont bunch.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.17 × 3.01 in | 6,506 |
| 2.88 × 4.01 in | 8,756 |
| 3.60 × 5.01 in | 11,169 |
| 4.32 × 6.01 in | 13,766 |
| 5.04 × 7.01 in | 16,722 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
