The phoenix spreads both wings fully, tail feathers fanning down in long pointed plumes below the body. Its not a stylized logo shape, its an actual bird form, with the feather shafts fanning out from each wing joint in directional satin sections. Eleven colors go into it: deep amber at the chest, burnt orange across the primary wing feathers, scarlet on the secondary layers, gold highlights along the very tips, and a dark red-brown undercoat beneath the body. The beak and eye each get their own clean satin fills, which is the kind of detail that makes the face read properly even at 3.5 inches wide.
Wilcom EmbroideryStudio handled the density at 876, and the directional feather fill is why the count matters. 9 sizes land between 3.5 and 7.5 inches wide, heights from 2.44 to 5.23 inches. Stitch range is 14,101 at the smallest to 34,351 at the largest. And at that upper count you need a medium cutaway stabiliser, not tear-away. The feather layers pull against each other and a light backing buckles. Use a smooth woven cotton or a firm canvas rather than a knit, the layered fill needs a stable base to avoid puckering between the color sections. Run a test on scrap fabric first and check the feather tip alignment before committing to the final piece. Skip knit fabric entirely on this one, the density is too high for stretch.
Last autumn a customer stitched the 6-inch version centred on the back of a black bomber jacket and sent a photo. The gold feather tips against the dark fabric looked better than most screen-printed jacket backs I have seen. The 11-color sequence takes a while to run but the thread changes are grouped so the machine isnt stopping constantly. And because its a symmetrical spread-wing pose it also centers cleanly on square cushion fronts without needing to offset the hoop position.
Holler if there is anything in the download that needs fixing.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Jacket back panel centrepiece on dark fabricThe 7.5-inch version fills a bomber jacket back cleanly, and the gold tips read sharply against black or navy wool.
- Large cushion or throw pillow frontAt 6-7 inches on a firm cotton cushion front the feather detail holds well and the layered colors show properly.
- Fantasy or mythology wall art hoop displayStitch on natural linen stretched in a 7-inch hoop for a mythology-themed display piece.
- Structured tote bag back panelA dark canvas tote at 5-6 inches makes the amber-to-gold gradient stand out clearly.
- Sweatshirt chest or back placementThe 4-inch size on a sweatshirt chest placement is compact enough to wear daily without looking heavy.
- Book bag or backpack centre patchThe symmetrical wing shape patches neatly onto a backpack front pocket at 3.5-4 inches.
- Framed fabric art for a reading nook or studyFramed on cream linen in a deep shadow box, the 11-color thread palette reads almost like a painting.
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 2.44 in | 14,101 |
| 4.00 × 2.79 in | 16,438 |
| 4.50 × 3.14 in | 18,898 |
| 5.00 × 3.48 in | 21,250 |
| 5.50 × 3.83 in | 23,782 |
| 6.00 × 4.18 in | 26,236 |
| 6.50 × 4.54 in | 28,915 |
| 7.00 × 4.88 in | 31,615 |
| 7.50 × 5.23 in | 34,351 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
Reviews
No reviews yet for this design. Be the first to share your make once you have stitched it. Tag us on Instagram and we will feature your work.
Browse by category
Pick a theme, find the perfect design for your next project
About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










