This is one of those designs where the lettering and the botanical elements are actually growing through each other rather than sitting side by side. The words stay wild are written in a thick bold cursive, chunky enough to hold up at the bigger versions, and stems push upward through the gaps between the letters. A small butterfly sits left of the s, poppy shapes open up above the a, daisies and some kind of round-headed cluster fill out the right half. All of it stitched in black, one colour, zero stops except the end, send me message if that sounds too simple but it really works.
Done in the digitising software, density at 314, and the petal and leaf areas use open satin outlines instead of than filled shapes so theres a lacy quality to those sections that contrasts nicely against the thick script fill. Five sizes running from 3.5 in to the biggest at 7.5 in, stitch counts from 5,023 to 10,213. Use a light tearaway stabiliser on a firm woven canvas or denim, or switch to cutaway on anything stretchy. Pair it with a stabiliser you trust on your specific fabric weight. Skip a topping on flat-weave fabric, add one on fleece or terry to keep those open outlines sharp. Stitch at a medium speed on the larger sizes since there are 100 trims across the wildflower shapes.
I get alot of questions about whether a one-colour design is worth buying and honestly its worth it. For something like this it is. Last spring a customer wanted a set of reusable tote bags for a wildflower-themed birthday, this was the one she came back to because the single-thread line art looks like something hand-drawn over than machine-made. Best on light or neutral fabric so the black thread reads cleanly, though Ive seen it stitched on dusty rose and it looked great there too.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Linen or canvas tote bag front panelThe 7.51-inch version fills a tote front panel nicely, one colour means no thread matching headaches, straight on the machine and go.
- Denim jacket back yoke or pocket embellishmentA 4.5-inch version on a denim jacket pocket or back yoke area reads beautifully, the line art flowers hold detail well on denim.
- Boho-style throw pillow coverStitch on natural linen or off-white cotton pillow cover, the open flower outlines give a relaxed boho texture.
- Wildflower garden lover tee shirtWorks across the chest on a womens tee in the 5.5-inch range, botanical and script together read as a statement print.
- Canvas backpack front panel or zipper pocketTiny 3.5 in sits on a canvas backpack front panel or zippered side pocket without overpowering the bag.
- Reusable produce bag for eco-giftingA reusable cotton produce bag with this stitched on makes a nice eco-conscious gift for a gardener or plant person.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.51 × 2.03 in | 5,023 |
| 4.51 × 2.60 in | 6,273 |
| 5.51 × 3.18 in | 7,565 |
| 6.51 × 3.76 in | 8,807 |
| 7.51 × 4.33 in | 10,213 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










